“Oropayitv± gihibyañjan±ni, sañchinnapatto yath± kovi¼±ro;
chetv±na v²ro gihibandhan±ni, eko care khaggavis±ºakappo”ti.

Tattha oropayitv±ti apanetv±. Gihibyañjan±n²ti kesamassu-od±tavatth±laªk±ram±l±gandhavilepana-itthiputtad±sid±s±d²ni. Et±ni hi gihibh±va½ byañjayanti, tasm± “gihibyañjan±n²”ti vuccanti. Sañchinnapattoti patitapatto. Chetv±n±ti maggañ±ºena chinditv±. V²roti maggav²riyasamann±gato. Gihibandhan±n²ti k±mabandhan±ni. K±m± hi gih²na½ bandhan±ni. Aya½ t±va padattho.

Aya½ pana adhipp±yo– “aho vat±hampi oropayitv± gihibyañjan±ni sañchinnapatto yath± kovi¼±ro bhaveyyan”ti evañhi cintayam±no vipassana½ ±rabhitv± paccekabodhi½ adhigatomh²ti. Sesa½ purimanayeneva veditabbanti.

Kovi¼±rag±th±vaººan± samatt±. Paµhamo vaggo niµµhito.

45-46. Sace labheth±ti k± uppatti? Pubbe kira kassapassa bhagavato s±sane dve paccekabodhisatt± pabbajitv± v²sati vassasahass±ni gatapacc±gatavatta½ p³retv± devaloke uppann±. Tato cavitv± tesa½ jeµµhako b±r±ºasirañño putto ahosi, kaniµµho purohitassa putto ahosi. Te ekadivasa½yeva paµisandhi½ gahetv± ekadivasameva m±tukucchito nikkhamitv± sahapa½suk²¼itasah±yak± ahesu½. Purohitaputto paññav± ahosi. So r±japutta½ ±ha– “samma, tva½ pituno accayena rajja½ labhissasi, aha½ purohitaµµh±na½, susikkhitena ca sukha½ rajja½ anus±situ½ sakk±, ehi sippa½ uggahess±m±”ti. Tato ubhopi pubbopacitakamm± hutv± g±manigam±d²su bhikkha½ caram±n± paccantajanapadag±ma½ gat±. Tañca g±ma½ paccekabuddh± bhikkh±c±ravel±ya pavisanti. Atha manuss± paccekabuddhe disv± uss±haj±t± ±san±ni paññ±penti, paº²ta½ kh±dan²ya½ bhojan²ya½ upan±menti, m±nenti, p³jenti. Tesa½ etadahosi– “amhehi sadis± ucc±kulik± n±ma natthi, atha ca panime manuss± yadi icchanti, amh±ka½ bhikkha½ denti, yadi ca nicchanti, na denti, imesa½ pana pabbajit±na½ evar³pa½ sakk±ra½ karonti, addh± ete kiñci sippa½ j±nanti, handa nesa½ santike sippa½ uggaºh±m±”ti.

Te manussesu paµikkantesu ok±sa½ labhitv± “ya½, bhante, tumhe sippa½ j±n±tha, ta½ amhepi sikkh±peth±”ti y±ci½su. Paccekabuddh± “na sakk± apabbajitena sikkhitun”ti ±ha½su. Te pabbajja½ y±citv± pabbaji½su. Tato nesa½ paccekabuddh± “eva½ vo niv±setabba½, eva½ p±rupitabban”ti-±din± nayena ±bhisam±c±rika½ ±cikkhitv± “imassa sippassa ek²bh±v±bhirati nipphatti, tasm± ekeneva nis²ditabba½, ekena caªkamitabba½, µh±tabba½, sayitabban”ti p±µiyekka½ paººas±lamada½su. Tato te attano attano paººas±la½ pavisitv± nis²di½su. Purohitaputto nisinnak±lato pabhuti cittasam±dh±na½ laddh± jh±na½ labhi. R±japutto muhutteneva ukkaºµhito tassa santika½ ±gato. So ta½ disv± “ki½, samm±”ti pucchi. “Ukkaºµhitomh²”ti ±ha. “Tena hi idha nis²d±”ti. So tattha muhutta½ nis²ditv± ±ha– “imassa kira, samma, sippassa ek²bh±v±bhirati nipphatt²”ti purohitaputto “eva½, samma, tena hi tva½ attano nisinnok±sa½ eva gaccha, uggahess±mi imassa sippassa nipphattin”ti ±ha. So gantv± punapi muhutteneva ukkaºµhito purimanayeneva tikkhattu½ ±gato.

Tato na½ purohitaputto tatheva uyyojetv± tasmi½ gate cintesi “aya½ attano ca kamma½ h±peti, mama ca idh±bhikkhaºa½ ±gacchanto”ti. So paººas±lato nikkhamma arañña½ paviµµho. Itaro attano paººas±l±yeva nisinno punapi muhutteneva ukkaºµhito hutv± tassa paººas±la½ ±gantv± ito cito ca maggantopi ta½ adisv± cintesi– “yo gahaµµhak±le paºº±k±rampi ±d±ya ±gato ma½ daµµhu½ na labhati, so n±ma mayi ±gate dassanampi ad±tuk±mo pakk±mi, aho, re citta, na lajjasi, ya½ ma½ catukkhattu½ idh±nesi, sod±ni te vase na vattiss±mi, aññadatthu ta½yeva mama vase vatt±pess±m²”ti attano sen±sana½ pavisitv± vipassana½ ±rabhitv± paccekabodhi½ sacchikatv± ±k±sena nandam³lakapabbh±ra½ agam±si. Itaropi arañña½ pavisitv± vipassana½ ±rabhitv± paccekabodhi½ sacchikatv± tattheva agam±si. Te ubhopi manosil±tale nis²ditv± p±µiyekka½ p±µiyekka½ im± ud±nag±th±yo abh±si½su–

“Sace labhetha nipaka½ sah±ya½, saddhi½ cara½ s±dhuvih±ri dh²ra½;
abhibhuyya sabb±ni parissay±ni, careyya tenattamano sat²m±.
“No ce labhetha nipaka½ sah±ya½, saddhi½ cara½ s±dhuvih±ri dh²ra½;
r±j±va raµµha½ vijita½ pah±ya, eko care m±taªgaraññeva n±go”ti.

Tattha nipakanti pakatinipuºa½ paº¹ita½ kasiºaparikamm±d²su kusala½. S±dhuvih±rinti appan±vih±rena v± upac±rena v± samann±gata½. Dh²ranti dhitisampanna½. Tattha nipakattena dhitisampad± vutt±. Idha pana dhitisampannamev±ti attho. Dhiti n±ma asithilaparakkamat±, “k±ma½ taco ca nh±ru c±”ti (ma. ni. 2.184; a. ni. 2.5; mah±ni. 196) eva½ pavattav²riyasseta½ adhivacana½. Apica dhikatap±potipi dh²ro. R±j±va raµµha½ vijita½ pah±y±ti yath± paµir±j± “vijita½ raµµha½ anatth±vahan”ti ñatv± rajja½ pah±ya eko carati, eva½ b±lasah±ya½ pah±ya eko care. Atha v± r±j±va raµµhanti yath± sutasomo r±j± vijita½ raµµha½ pah±ya eko cari, yath± ca mah±janako, eva½ eko careti ayampi tassattho. Sesa½ vutt±nus±rena sakk± j±nitunti na vitth±ritanti.

Sah±yag±th±vaººan± samatt±.

47. Addh± pasa½s±m±ti imiss± g±th±ya y±va ±k±satale paññatt±sane paccekabuddh±na½ nisajj±, t±va c±tuddisag±th±ya uppattisadis± eva uppatti. Aya½ pana viseso– yath± so r±j± rattiy± tikkhattu½ ubbijji, na tath± aya½, nevassa yañño paccupaµµhito ahosi. So ±k±satale paññattesu ±sanesu paccekabuddhe nis²d±petv± “ke tumhe”ti pucchi. “Maya½, mah±r±ja, anavajjabhojino n±m±”ti. “Bhante, ‘anavajjabhojino’ti imassa ko attho”ti? “Sundara½ v± asundara½ v± laddh± nibbik±r± bhuñj±ma, mah±r±j±”ti. Ta½ sutv± rañño etadahosi “ya½n³n±ha½ ime upaparikkheyya½ edis± v± no v±”ti. Ta½ divasa½ kaº±jakena bilaªgadutiyena parivisi. Paccekabuddh± amata½ bhuñjant± viya nibbik±r± bhuñji½su. R±j± “honti n±ma ekadivasa½ paµiññ±tatt± nibbik±r±, sve j±niss±m²”ti sv±tan±yapi nimantesi. Tato dutiyadivasepi tathev±k±si. Tepi tatheva paribhuñji½su. Atha r±j± “id±ni sundara½ datv± v²ma½siss±m²”ti punapi nimantetv±, dve divase mah±sakk±ra½ katv±, paº²tena ativicitrena kh±dan²yena bhojan²yena parivisi. Tepi tatheva nibbik±r± bhuñjitv± rañño maªgala½ vatv± pakkami½su. R±j± acirapakkantesu tesu “anavajjabhojinova ete samaº±, aho vat±hampi anavajjabhoj² bhaveyyan”ti cintetv± mah±rajja½ pah±ya pabbajja½ sam±d±ya vipassana½ ±rabhitv±, paccekabuddho hutv±, mañj³sakarukkham³le paccekabuddh±na½ majjhe attano ±rammaºa½ vibh±vento ima½ g±tha½ abh±si–

“Addh± pasa½s±ma sah±yasampada½, seµµh± sam± sevitabb± sah±y±;
ete aladdh± anavajjabhoj², eko care khaggavis±ºakappo”ti.

S± padatthato utt±n± eva. Kevala½ pana sah±yasampadanti ettha asekhehi s²l±dikkhandhehi sampann± sah±y± eva sah±yasampad±ti veditabb±. Aya½ panettha yojan±– y±ya½ vutt± sah±yasampad±, ta½ sah±yasampada½ addh± pasa½s±ma, eka½seneva thomem±ti vutta½ hoti. Katha½? Seµµh± sam± sevitabb± sah±y±ti. Kasm±? Attano hi s²l±d²hi seµµhe sevam±nassa s²l±dayo dhamm± anuppann± uppajjanti, uppann± vuddhi½ vir³¼hi½ vepulla½ p±puºanti. Same sevam±nassa aññamañña½ samadh±raºena kukkuccassa vinodanena ca laddh± na parih±yanti. Ete pana sah±yake seµµhe ca same ca aladdh± kuhan±dimicch±j²va½ vajjetv± dhammena samena uppanna½ bhojana½ bhuñjanto tattha ca paµigh±nunaya½ anupp±dento anavajjabhoj² hutv± atthak±mo kulaputto eko care khaggavis±ºakappo. Ahampi hi eva½ caranto ima½ sampatti½ adhigatomh²ti.

Anavajjabhojig±th±vaººan± samatt±.

48. Disv± suvaººass±ti k± uppatti? Aññataro b±r±ºasir±j± gimhasamaye div±seyya½ upagato. Santike cassa vaººad±s² gos²tacandana½ pisati. Tass± ekab±h±ya½ eka½ suvaººavalaya½, ekab±h±ya½ dve, t±ni saªghaµµanti itara½ na saªghaµµati. R±j± ta½ disv± “evameva gaºav±se saªghaµµan±, ekav±se asaªghaµµan±”ti punappuna½ ta½ d±si½ olokayam±no cintesi. Tena ca samayena sabb±laªk±rabh³sit± dev² ta½ b²jayant² µhit± hoti. S± “vaººad±siy± paµibaddhacitto maññe r±j±”ti cintetv± ta½ d±si½ uµµh±petv± sayameva pisitum±raddh± Tass± ubhosu b±h±su aneke suvaººavalay±, te saªghaµµant± mah±sadda½ janayi½su. R±j± suµµhutara½ nibbinno dakkhiºena passena nipannoyeva vipassana½ ±rabhitv± paccekabodhi½ sacch±k±si. Ta½ anuttarena sukhena sukhita½ nipanna½ candanahatth± dev² upasaªkamitv± “±limp±mi, mah±r±j±”ti ±ha. R±j±– “apehi, m± ±limp±h²”ti ±ha. S± “kissa, mah±r±j±”ti ±ha. So “n±ha½ r±j±”ti. Evametesa½ ta½ kath±sall±pa½ sutv± amacc± upasaªkami½su. Tehipi mah±r±jav±dena ±lapito “n±ha½, bhaºe, r±j±”ti ±ha. Sesa½ paµhamag±th±ya vuttasadisameva.

Aya½ pana g±th±vaººan±– disv±ti oloketv±. Suvaººass±ti kañcanassa “valay±n²”ti p±µhaseso. S±vasesap±µho hi aya½ attho. Pabhassar±n²ti pabh±sanas²l±ni, jutimant±n²ti vutta½ hoti. Sesa½ utt±natthameva. Aya½ pana yojan±– disv± bhujasmi½ suvaººassa valay±ni “gaºav±se sati saªghaµµan±, ekav±se asaªghaµµan±”ti eva½ cintento vipassana½ ±rabhitv± paccekabodhi½ adhigatomh²ti. Sesa½ vuttanayamev±ti.

Suvaººavalayag±th±vaººan± samatt±.

49. Eva½ dutiyen±ti k± uppatti? Aññataro b±r±ºasir±j± daharova pabbajituk±mo amacce ±º±pesi “devi½ gahetv± rajja½ pariharatha, aha½ pabbajiss±m²”ti. Amacc± “na, mah±r±ja, ar±jaka½ rajja½ amhehi sakk± rakkhitu½, s±mantar±j±no ±gamma vilumpissanti, y±va ekaputtopi uppajjati, t±va ±gameh²”ti saññ±pesu½. Muducitto r±j± adhiv±sesi. Atha dev² gabbha½ gaºhi. R±j± punapi te ±º±pesi– “dev² gabbhin², putta½ j±ta½ rajje abhisiñcitv± rajja½ pariharatha, aha½ pabbajiss±m²”ti. Amacc± “dujj±na½, mah±r±ja, eta½ dev² putta½ v± vij±yissati dh²tara½ v±, vij±yanak±la½ t±va ±gameh²”ti punapi saññ±pesu½. Atha s± putta½ vij±yi. Tad±pi r±j± tatheva amacce ±º±pesi. Amacc± punapi r±j±na½ “±gamehi, mah±r±ja, y±va, paµibalo hot²”ti bah³hi k±raºehi saññ±pesu½. Tato kum±re paµibale j±te amacce sannip±t±petv± “paµibalo aya½, ta½ rajje abhisiñcitv± paµipajjath±”ti amacc±na½ ok±sa½ adatv± antar±paº± k±s±yavatth±dayo sabbaparikkh±re ±har±petv± antepure eva pabbajitv± mah±janako viya nikkhami. Sabbaparijano n±nappak±raka½ paridevam±no r±j±na½ anubandhi.