4. Pubbapet±disapañho

4. “Bhante n±gasena, ime d±yak± d±na½ datv± pubbapet±na½ ±disanti [uddisanti (ka. s².)] ‘ida½ tesa½ p±puº±t³’ti, api nu te kiñci tatonid±na½ vip±ka½ paµilabhant²”ti? “Keci, mah±r±ja, paµilabhanti, keci nappaµilabhant²”ti. “Ke, bhante, paµilabhanti, ke nappaµilabhant²”ti? “Niray³papann±, mah±r±ja, nappaµilabhanti, saggagat± nappaµilabhanti, tiracch±nayonigat± nappaµilabhanti, catunna½ pet±na½ tayo pet± nappaµilabhanti vant±sik± khuppip±sino nijjh±mataºhik±, labhanti pet± paradatt³paj²vino, tepi saram±n± yeva labhant²”ti.
“Tena hi, bhante n±gasena, d±yak±na½ d±na½ visosita½ [visota½ (s². p².)] hoti aphala½, yesa½ uddissa kata½ yadi te nappaµilabhant²”ti? “Na hi ta½, mah±r±ja, d±na½ aphala½ hoti avip±ka½, d±yak± yeva tassa phala½ anubhavant²”ti. “Tena hi, bhante n±gasena, k±raºena ma½ saññ±peh²”ti. “Idha, mah±r±ja, keci manuss± macchama½sasur±bhattakhajjak±ni paµiy±detv± ñ±tikula½ gacchanti, yadi te ñ±tak± ta½ up±yana½ na sampaµiccheyyu½, api nu ta½ up±yana½ visosita½ gaccheyya vinasseyya v±”ti? “Na hi, bhante, s±mik±na½ yeva ta½ hot²”ti. “Evameva kho, mah±r±ja, d±yak± yeva tassa phala½ anubhavanti. Yath± pana mah±r±ja, puriso gabbha½ paviµµho asati purato nikkhamanamukhe kena nikkhameyy±”ti. “Paviµµheneva bhante”ti. “Evameva kho, mah±r±ja, d±yak± yeva tassa phala½ anubhavant²”ti. “Hotu, bhante n±gasena, evameta½ tath± sampaµicch±mi, d±yak± yeva tassa phala½ anubhavanti, na maya½ ta½ k±raºa½ vilomem±ti.
“Bhante n±gasena, yadi imesa½ d±yak±na½ dinnad±na½ pubbapet±na½ p±puº±ti, te ca tassa vip±ka½ anubhavanti. Tena hi yo p±º±tip±t² luddo lohitap±º² paduµµhamanasaªkappo manusse gh±tetv± d±ruºa½ kamma½ katv± pubbapet±na½ ±diseyya ‘imassa me kammassa vip±ko pubbapet±na½ p±puº±t³’ti, api nu tassa vip±ko pubbapet±na½ p±puº±t²”ti? “Na hi, mah±r±j±”ti.
“Bhante n±gasena, ko tattha hetu ki½ k±raºa½, yena kusala½ p±puº±ti akusala½ na p±puº±t²”ti? “Neso, mah±r±ja, pañho pucchitabbo, m± ca tva½, mah±r±ja, ‘visajjako atth²’ti apucchitabba½ pucchi, ‘kissa ±k±so nir±lambo, kissa gaªg± uddhammukh± na sandati, kissa ime manuss± ca dij± ca dvipad± mig± catuppad±’ti tampi ma½ tva½ pucchissas²”ti. “N±ha½ ta½, bhante n±gasena, vihes±pekkho pucch±mi, api ca nibb±hanatth±ya [nibb±natth±ya (ka.)] sandehassa pucch±mi, bah³ manuss± loke v±mag±mino [p±pag±hino (sy±.)] vicakkhuk±, ‘kinti te ot±ra½ na labheyyun’ti ev±ha½ ta½ pucch±m²”ti. “Na sakk±, mah±r±ja, saha akatena ananumatena saha p±pa½ kamma½ sa½vibhajitu½.
“Yath±, mah±r±ja, manuss± udakanibb±hanena udaka½ suvid³rampi haranti, api nu, mah±r±ja, sakk± ghanamah±selapabbato [pabbatato (ka.)] nibb±hanena yathicchita½ haritun”ti? “Na hi, bhante”ti. “Evameva kho, mah±r±ja, sakk± kusala½ sa½vibhajitu½, na sakk± akusala½ sa½vibhajitu½. Yath± v± pana, mah±r±ja, sakk± telena pad²po j±letu½, api nu, mah±r±ja, sakk± udakena pad²po j±letun”ti? “Na hi, bhante”ti. “Evameva kho, mah±r±ja, sakk± kusala½ sa½vibhajitu½, na sakk± akusala½ sa½vibhajitu½. Yath± v± pana, mah±r±ja, kassak± ta¼±kato udaka½ n²haritv± dhañña½ parip±centi, api nu kho, mah±r±ja, sakk± mah±samuddato udaka½ n²haritv± dhañña½ parip±cetun”ti? “Na hi, bhante”ti. “Evameva kho, mah±r±ja, sakk± kusala½ sa½vibhajitu½, na sakk± akusala½ sa½vibhajitun”ti.
“Bhante n±gasena, kena k±raºena sakk± kusala½ sa½vibhajitu½, na sakk± akusala½ sa½vibhajitu½. K±raºena ma½ saññ±pehi, n±ha½ andho an±loko sutv± vediss±m²”ti. “Akusala½, mah±r±ja, thoka½, kusala½ bahuka½, thokatt± akusala½ katt±ra½ yeva pariy±diyati, bahukatt± kusala½ sadevaka½ loka½ ajjhottharat²”ti. “Opamma½ karoh²”ti.
“Yath±, mah±r±ja, paritta½ eka½ udakabindu pathaviya½ nipateyya, api nu kho ta½, mah±r±ja, udakabindu dasapi dv±dasapi yojan±ni ajjhotthareyy±”ti? “Na hi, bhante, yattha ta½ udakabindu nipatita½, tattheva pariy±diyat²”ti. “Kena k±raºena, mah±r±j±”ti? “Parittatt±, bhante, udakabinduss±”ti. “Evameva kho, mah±r±ja, paritta½ akusala½ parittatt± katt±ra½ yeva pariy±diyati, na sakk± sa½vibhajitu½.
“Yath± v± pana, mah±r±ja, mahatimah±megho abhivasseyya tappayanto dharaºitala½, api nu kho so, mah±r±ja, mah±megho samantato otthareyy±”ti. “¾ma, bhante, p³rayitv± so mah±megho sobbhasara saritas±kh±kandarapadaradahata¼±ka [m±tik±ta¼±ka (ka.)] udap±napokkharaºiyo dasapi dv±dasapi yojan±ni ajjhotthareyy±”ti. “Kena k±raºena, mah±r±j±”ti? “Mahantatt±, bhante, meghass±”ti. “Evameva kho, mah±r±ja, kusala½ bahuka½, bahukatt± sakk± devamanussehipi sa½vibhajitun”ti.
“Bhante n±gasena, kena k±raºena akusala½ thoka½ kusala½ bahutaran”ti? “Idha, mah±r±ja, yo koci d±na½ deti, s²la½ sam±diyati, uposathakamma½ karoti, so haµµho pahaµµho hasito pamudito pasannam±naso vedaj±to hoti, tassa apar±para½ p²ti uppajjati, p²timanassa bhiyyo bhiyyo kusala½ pava¹¹hati.
“Yath±, mah±r±ja, udap±ne bahusalilasampuººe ekena desena udaka½ paviseyya, ekena nikkhameyya, nikkhamantepi apar±para½ uppajjati, na sakk± hoti khaya½ p±petu½. Evameva kho mah±r±ja, kusala½ bhiyyo bhiyyo pava¹¹hati. Vassasatepi ce, mah±r±ja, puriso kata½ kusala½ ±vajjeyya, ±vajjite ±vajjite bhiyyo bhiyyo kusala½ pava¹¹hati. Tassa ta½ kusala½ sakk± hoti yathicchakehi saddhi½ sa½vibhajitu½, idamettha, mah±r±ja, k±raºa½, yena k±raºena kusala½ bahutara½.
“Akusala½ pana, mah±r±ja, karonto pacch± vippaµis±r² hoti, vippaµis±rino citta½ paµil²yati paµikuµati paµivattati na sampas±r²yati socati tappati h±yati kh²yati na pariva¹¹hati tattheva pariy±diyati. Yath±, mah±r±ja, sukkh±ya nadiy± mah±pu¼in±ya unnat±vanat±ya kuµilasaªkuµil±ya uparito paritta½ udaka½ ±gacchanta½ h±yati kh²yati na pariva¹¹hati tattheva pariy±diyati. Evameva kho, mah±r±ja, akusala½ karontassa citta½ paµil²yati paµikuµati paµivattati na sampas±r²yati socati tappati h±yati kh²yati na pariva¹¹hati tattheva pariy±diyati, idamettha, mah±r±ja, k±raºa½, yena k±raºena akusala½ thokan”ti. “S±dhu, bhante n±gasena, evameta½ tath± sampaµicch±m²”ti.

Pubbapet±disapañho catuttho.