9. Udakasattaj²vapañho

9. “Bhante n±gasena, ima½ udaka½ aggimhi tappam±na½ cicciµ±yati ciµiciµ±yati sadd±yati bahuvidha½, ki½ nu kho, bhante n±gasena, udaka½ j²vati, ki½ k²¼am±na½ sadd±yati, ud±hu aññena paµip²¼ita½ sadd±yat²”ti? “Na hi, mah±r±ja, udaka½ j²vati, natthi udake j²vo v± satto v±, api ca, mah±r±ja, aggisant±pavegassa mahantat±ya udaka½ cicciµ±yati ciµiciµ±yati sadd±yati bahuvidhan”ti.
“Bhante n±gasena, idhekacce titthiy± udaka½ j²vat²ti s²todaka½ paµikkhipitv± udaka½ t±petv± vekatikavekatika½ paribhuñjanti, te tumhe garahanti paribhavanti ‘ekindriya½ samaº± sakyaputtiy± j²va½ viheµhent²’ti, ta½ tesa½ garaha½ paribhava½ vinodehi apanehi nicch±reh²”ti. “Na hi, mah±r±ja, udaka½ j²vati, natthi, mah±r±ja, udake j²vo v± satto v±, api ca, mah±r±ja, aggisant±pavegassa mahantat±ya udaka½ cicciµ±yati ciµiciµ±yati sadd±yati bahuvidha½.
“Yath±, mah±r±ja, udaka½ sobbhasarasaritadahata¼±kakandarapadara-udap±naninnapokkharaºigata½ v±t±tapavegassa mahantat±ya pariy±diyati parikkhaya½ gacchati, api nu tattha udaka½ cicciµ±yati ciµiciµ±yati sadd±yati bahuvidhan”ti? “Na hi, bhante”ti. “Yadi, mah±r±ja, udaka½ j²veyya, tatth±pi udaka½ sadd±yeyya, imin±pi, mah±r±ja, k±raºena j±n±hi ‘natthi udake j²vo v± satto v±, aggisant±pavegassa mahantat±ya udaka½ cicciµ±yati ciµiciµ±yati sadd±yati bahuvidhan’ti.
“Aparampi mah±r±ja, uttari½ k±raºa½ suºohi ‘natthi udake j²vo v± satto v±, aggisant±pavegassa mahantat±ya udaka½ sadd±yat²’ti. Yad± pana, mah±r±ja, udaka½ taº¹ulehi sammissita½ bh±janagata½ hoti pihita½ uddhane aµhapita½, api nu tattha udaka½ sadd±yat²”ti? “Na hi, bhante, acala½ hoti santasantan”ti. “Ta½ yeva pana, mah±r±ja, udaka½ bh±janagata½ aggi½ ujj±letv± uddhane µhapita½ hoti, api nu tattha udaka½ acala½ hoti santasantan”ti? “Na hi, bhante, calati khubbhati lu¼ati ±vilati ³mij±ta½ hoti, uddhamadho dis±vidisa½ gacchati, uttarati patarati pheºam±l² hot²ti. Kissa pana ta½, mah±r±ja p±katika½ udaka½ na calati santasanta½ hoti, kissa pana aggigata½ calati khubbhati lu¼ati ±vilati ³mij±ta½ hoti, uddhamadho dis±vidisa½ gacchati, uttarati patarati pheºam±l² hot²”ti? “P±katika½, bhante, udaka½ na calati, aggikata½ pana udaka½ aggisant±pavegassa mahantat±ya cicciµ±yati ciµiciµ±yati sadd±yati bahuvidhan”ti. “Imin±pi mah±r±ja, k±raºena j±n±hi ‘natthi udake j²vo v± satto v±, aggisant±pavegassa mahantat±ya udaka½ sadd±yat²’ti.
“Aparampi, mah±r±ja, uttara½ k±raºa½ suºohi, natthi udake j²vo v± satto v±, aggisant±pavegassa mahantat±ya udaka½ sadd±yati. Hoti ta½, mah±r±ja, udaka½ ghare ghare udakav±rakagata½ pihitan”ti? “¾ma, bhante”ti. “Api nu ta½, mah±r±ja, udaka½ calati khubbhati lu¼ati ±vilati ³mij±ta½ hoti, uddhamadho dis±vidisa½ gacchati, uttarati patarati pheºam±l² hot²”ti. “Na hi, bhante, acala½ ta½ hoti p±katika½ udakav±rakagata½ udakan”ti.
“Sutapubba½ pana tay±, mah±r±ja, ‘mah±samudde udaka½ calati khubbhati lu¼ati ±vilati ³mij±ta½ hoti, uddhamadho dis±vidisa½ gacchati, uttarati patarati pheºam±l² hoti, ussakkitv± ossakkitv± [ossakkitv±”ti pada½ s². p². potthakesu natthi] vel±ya paharati sadd±yati bahuvidha”n’ti? “¾ma, bhante, sutapubba½ eta½ may± diµµhapubbañca ‘mah±samudde udaka½ hatthasatampi dvepi hatthasat±ni gagane ussakkat²”’ti. “Kissa, mah±r±ja, udakav±rakagata½ udaka½ na calati na sadd±yati, kissa pana mah±samudde udaka½ calati sadd±yat²”ti? “V±tavegassa mahantat±ya, bhante, mah±samudde udaka½ calati sadd±yati, udakav±rakagata½ udaka½ aghaµµita½ kehici na calati na sadd±yat²”ti. “Yath±, mah±r±ja, v±tavegassa mahantat±ya mah±samudde udaka½ calati sadd±yati evameva aggisant±pavegassa mahantat±ya udaka½ sadd±yat²”ti.
“Nanu, mah±r±ja, bheripokkhara½ sukkha½ sukkhena gocammena onandhant²”ti? “¾ma, bhante”. “Api nu, mah±r±ja, bheriy± j²vo v± satto v± atth²”ti. “Na hi, bhante”ti. “Kissa pana, mah±r±ja, bher² sadd±yat²”ti? “Itthiy± v±, bhante, purisassa v± tajjena v±y±men±”ti. “Yath±, mah±r±ja, itthiy± v± purisassa v± tajjena v±y±mena bher² sadd±yati, evameva aggisant±pavegassa mahantat±ya udaka½ sadd±yati. Imin±pi, mah±r±ja k±raºena j±n±hi ‘natthi udake j²vo v± satto v±, aggisant±pavegassa mahantat±ya udaka½ sadd±yat²’ti.
“Mayhampi t±va, mah±r±ja, tava pucchitabba½ atthi, evameso pañho suvinicchito hoti, ki½ nu kho, mah±r±ja, sabbehipi bh±janehi udaka½ tappam±na½ sadd±yati, ud±hu ekaccehi yeva bh±janehi tappam±na½ sadd±yat²”ti? “Na hi, bhante, sabbehipi bh±janehi udaka½ tappam±na½ sadd±yati, ekaccehi yeva bh±janehi udaka½ tappam±na½ sadd±yat²”ti. “Tena hi, mah±r±ja, jahitosi sakasamaya½, pacc±gatosi mama visaya½, natthi udake j²vo v± satto v±. Yadi, mah±r±ja, sabbehipi bh±janehi udaka½ tappam±na½ sadd±yeyya, yuttamida½ ‘udaka½ j²vat²’ti vattu½. Na hi, mah±r±ja, udaka½ dvaya½ hoti, ya½ sadd±yati, ta½ j²vati, ya½ na sadd±yati, ta½ na j²vat²ti. Yadi, mah±r±ja, udaka½ j²veyya, mahant±na½ hatthin±g±na½ ussannak±y±na½ pabhinn±na½ soº¹±ya ussiñcitv± mukhe pakkhipitv± kucchi½ pavesayant±na½, tampi udaka½ tesa½ dantantare cippiyam±na½ sadd±yeyya. Hatthasatik±pi mah±n±v± garuk± bh±rik± anekasatasahassabh±raparip³r± mah±samudde vicaranti, t±hipi cippiyam±na½ udaka½ sadd±yeyya. Mahatimahant±pi macch± anekasatayojanikak±y± tim² timiªgal± timirapiªgal± abbhantare nimugg± mah±samudde niv±saµµh±nat±ya paµivasant± mah±-udakadh±r± ±camanti dhamanti ca, tesampi ta½ dantantarepi udarantarepi cippiyam±na½ udaka½ sadd±yeyya. Yasm± ca kho, mah±r±ja, evar³pehi evar³pehi mahantehi paµip²¼anehi paµip²¼ita½ udaka½ na sadd±yati tasm±pi natthi udake j²vo v± satto v±ti, evameta½, mah±r±ja, dh±reh²”ti.
“S±dhu bhante n±gasena, dos±gato pañho anucchavik±ya vibhattiy± vibhatto, yath± n±ma, bhante n±gasena, mahaggha½ maºiratana½ cheka½ ±cariya½ kusala½ sikkhita½ maºik±ra½ p±puºitv± kitti½ labheyya thomana½ pasa½sa½, mutt±ratana½ v± muttika½ dussaratana½ v± dussika½, lohitacandana½ v± gandhika½ p±puºitv± kitti½ labheyya thomana½ pasa½sa½. Evameva kho, bhante n±gasena, dos±gato [des±gato (s². p².)] pañho anucchavik±ya vibhattiy± vibhatto, evameta½ tath± sampaµicch±m²”ti.

Udakasattaj²vapañho navamo.

Buddhavaggo paµhamo.

Imasmi½ vagge nava pañh±.