[311] 1. Pucimandaj±takavaººan±

Uµµhehi cor±ti ida½ satth± ve¼uvane viharanto ±yasmanta½ mah±moggall±na½ ±rabbha kathesi. There kira r±jagaha½ upaniss±ya araññakuµik±ya viharante eko coro nagaradv±rag±me ekasmi½ gehe sandhi½ chinditv± hatthas±ra½ ±d±ya pal±yitv± therassa kuµipariveºa½ pavisitv± “idha mayha½ ±rakkho bhavissat²”ti therassa paººas±l±ya pamukhe nipajji. Thero tassa pamukhe sayitabh±va½ ñatv± tasmi½ ±saªka½ katv± “corasa½saggo n±ma na vaµµat²”ti nikkhamitv± “m± idha say²”ti n²hari. So coro tato nikkhamitv± pada½ mohetv± pal±yi. Manuss± ukka½ ±d±ya corassa pad±nus±rena tattha ±gantv± tassa ±gataµµh±naµhitaµµh±nanisinnaµµh±nasayitaµµh±n±d²ni disv± “coro ito ±gato, idha µhito, idha nisinno, imin± µh±nena apagato, na diµµho no”ti ito cito ca pakkhanditv± adisv±va paµigat±. Punadivase thero pubbaºhasamaya½ r±jagahe piº¹±ya caritv± piº¹ap±tapaµikkanto ve¼uvana½ gantv± ta½ pavatti½ satthu ±rocesi. Satth± “na kho, moggall±na, tvaññeva ±saªkitabbayuttaka½ ±saªki, por±ºakapaº¹it±pi ±saªki½s³”ti vatv± therena y±cito at²ta½ ±hari.
At²te b±r±ºasiya½ brahmadatte rajja½ k±rente bodhisatto nagarassa sus±navane nimbarukkhadevat± hutv± nibbatti. Athekadivasa½ nagaradv±rag±me katakammacoro ta½ sus±navana½ p±visi. Tad± ca pana tattha nimbo ca assattho c±ti dve jeµµhakarukkh±. Coro nimbarukkham³le bhaº¹ika½ µhapetv± nipajji. Tasmi½ pana k±le core gahetv± nimbas³le utt±senti. Atha s± devat± cintesi “sace manuss± ±gantv± ima½ cora½ gaºhissanti, imasseva nimbarukkhassa s±kha½ chinditv± s³la½ katv± eta½ utt±sessanti, eva½ sante rukkho nassissati, handa na½ ito n²hariss±m²”ti. S± tena saddhi½ sallapant² paµhama½ g±tham±ha–
41. “Uµµhehi cora ki½ sesi, ko attho supanena te;
m± ta½ gahesu½ r±j±no, g±me kibbisak±rakan”ti.
Tattha r±j±noti r±japurise sandh±ya vutta½. Kibbisak±rakanti d±ruºas±hasikacorakammak±raka½.
Iti na½ vatv± “y±va ta½ r±japuris± na gaºhanti, t±va aññattha gacch±”ti bh±y±petv± pal±pesi. Tasmi½ pal±te assatthadevat± dutiya½ g±tham±ha–
42. “Ya½ nu cora½ gahessanti, g±me kibbisak±raka½;
ki½ tattha pucimandassa, vane j±tassa tiµµhato”ti.
Tattha vane j±tassa tiµµhatoti nimbo vane j±to ceva µhito ca. Devat± pana tattha nibbattatt± rukkhasamud±c±reneva samud±cari.
Ta½ sutv± nimbadevat± tatiya½ g±tham±ha–
43. “Na tva½ assattha j±n±si, mama corassa cantara½;
cora½ gahetv± r±j±no, g±me kibbisak±raka½;
appenti nimbas³lasmi½, tasmi½ me saªkate mano”ti.
Tattha assatth±ti purimanayeneva tasmi½ nibbattadevata½ samud±carati. Mama corassa cantaranti mama ca corassa ca ekato avasanak±raºa½. Appenti nimbas³lasminti imasmi½ k±le r±j±no cora½ nimbas³le ±vuºanti. Tasmi½ me saªkate manoti tasmi½ k±raºe mama citta½ saªkati. Sace hi ima½ s³le ±vuºissanti, vim±na½ me nassissati, atha s±kh±ya olambessanti, vim±ne me kuºapagandho bhavissati, ten±ha½ eta½ pal±pesinti attho.
Eva½ t±sa½ devat±na½ aññamañña½ sallapant±naññeva bhaº¹as±mik± ukk±hatth± pad±nus±rena ±gantv± corassa sayitaµµh±na½ disv± “ambho id±neva coro uµµh±ya pal±to, na laddho no coro, sace labhiss±ma, imasseva na½ nimbassa s³le v± ±vuºitv± s±kh±ya v± olambetv± gamiss±m±”ti vatv± ito cito ca pakkhanditv± cora½ adisv±va gat±.
Tesa½ vacana½ sutv± assatthadevat± catuttha½ g±tham±ha–
44. “Saªkeyya saªkitabb±ni, rakkheyy±n±gata½ bhaya½;
an±gatabhay± dh²ro, ubho loke avekkhat²”ti.
Tattha rakkheyy±n±gata½ bhayanti dve an±gatabhay±ni diµµhadhammikañceva sampar±yikañc±ti. Tesu p±pamitte parivajjento diµµhadhammika½ rakkhati, t²ºi duccarit±ni parivajjento sampar±yika½ rakkhati. An±gatabhay±ti an±gatabhayahetuta½ bhaya½ bh±yam±no dh²ro paº¹ito puriso p±pamittasa½sagga½ na karoti, t²hipi dv±rehi duccarita½ na carati. Ubho loketi eva½ bh±yanto hesa idhalokaparalokasaªkh±te ubho loke avekkhati oloketi, olokayam±no idhalokabhayena p±pamitte vivajjeti, paralokabhayena p±pa½ na karot²ti.
Satth± ima½ dhammadesana½ ±haritv± j±taka½ samodh±nesi– “tad± assatthadevat± ±nando ahosi, nimbadevat± pana ahameva ahosin”ti.

Pucimandaj±takavaººan± paµham±.