[220] 10. Dhammadhajaj±takavaººan±

Sukha½ j²vitar³pos²ti ida½ satth± ve¼uvane viharanto devadattassa vadh±ya parisakkana½ ±rabbha kathesi. Tad± hi satth± “na, bhikkhave, id±neva, pubbepi devadatto mayha½ vadh±ya parisakkiyeva, sant±samattampi pana k±tu½ n±sakkh²”ti vatv± at²ta½ ±hari.
At²te b±r±ºasiya½ yasap±ºi n±ma r±j± rajja½ k±resi, k±¼ako n±massa sen±pati ahosi. Tad± bodhisatto tasseva purohito ahosi n±mena dhammadhajo n±ma, rañño pana s²sappas±dhanakappako chattap±ºi n±ma. R±j± dhammena rajja½ k±reti, sen±pati panassa vinicchaya½ karonto lañja½ kh±dati parapiµµhima½siko, lañja½ gahetv± ass±mike s±mike karoti. Athekadivasa½ vinicchaye par±jito manusso b±h± paggayha kandanto vinicchay± nikkhanto r±jupaµµh±na½ gacchanta½ bodhisatta½ disv± tassa p±desu patitv± “tumh±disesu n±ma, s±mi, rañño atthañca dhammañca anus±santesu k±¼akasen±pati lañja½ gahetv± ass±mike s±mike karot²”ti attano par±jitabh±va½ bodhisattassa kathesi. Bodhisatto k±ruñña½ upp±detv± “ehi bhaºe, a¹¹a½ te vinicchiniss±m²”ti ta½ gahetv± vinicchayaµµh±na½ agam±si. Mah±jano sannipati, bodhisatto ta½ a¹¹a½ paµivinicchinitv± s±mikaññeva s±mika½ ak±si.
Mah±jano s±dhuk±ra½ ad±si, so saddo mah± ahosi. R±j± ta½ sutv± “ki½ saddo n±meso”ti pucchi. “Deva, dhammadhajapaº¹itena dubbinicchito a¹¹o suvinicchito, tatresa s±dhuk±rasaddo”ti. R±j± tuµµho bodhisatta½ pakkos±petv± “a¹¹o kira te ±cariya vinicchito”ti pucchi. “¾ma, mah±r±ja, k±¼akena dubbinicchita½ a¹¹a½ vinicchinin”ti vutte “ito d±ni paµµh±ya tumheva a¹¹a½ vinicchinatha, mayhañca kaººasukha½ bhavissati lokassa ca vu¹¹h²”ti vatv± anicchantampi ta½ “satt±nudday±ya vinicchaye nis²dath±”ti y±citv± sampaµicch±pesi. Tato paµµh±ya bodhisatto vinicchaye nis²dati, s±mikeyeva s±mike karoti.
K±¼ako tato paµµh±ya lañja½ alabhanto l±bhato parih±yitv± bodhisattassa ±gh±ta½ bandhitv± “mah±r±ja, dhammadhajapaº¹ito tava rajja½ patthet²”ti bodhisatta½ rañño antare paribhindi. R±j± asaddahanto “m± eva½ avac±”ti paµikkhipitv± puna tena “sace me na saddahatha, tass±gamanak±le v±tap±nena oloketha. Ath±nena sakalanagarassa attano hatthe katabh±va½ passissath±”ti vutte r±j± tassa a¹¹ak±rakaparisa½ disv± “etasseva paris±”ti saññ±ya bhijjitv± “ki½ karoma sen±pat²”ti pucchi. “Deva, eta½ m±retu½ vaµµat²”ti “O¼±rikadosa½ apassant± katha½ m±ress±m±”ti? “Attheko up±yo”ti. “Katar³p±yo”ti. “Asayhamassa kamma½ ±ropetv± ta½ k±tu½ asakkonta½ ta½ tena dosena m±ress±m±”ti. “Ki½ pana asayhakamman”ti? “Mah±r±ja, uyy±na½ n±ma s±rabh³miya½ ropita½ paµijaggiyam±na½ t²hi cat³hi sa½vaccharehi phala½ deti. Tumhe ta½ pakkos±petv± ‘sve uyy±na½ k²¼iss±ma, uyy±na½ me m±peh²’ti vadatha, so m±petu½ na sakkhissati. Atha na½ tasmi½ dose m±ress±m±”ti.
R±j± bodhisatta½ ±mantetv± “paº¹ita, mayha½ pur±ºa-uyy±ne cira½ k²¼imha, id±ni nava-uyy±ne k²¼ituk±mamha, sve k²¼iss±ma, uyy±na½ no m±pehi, sace m±petu½ na sakkhissasi, j²vita½ te natth²”ti. Bodhisatto “k±¼akena lañja½ alabham±nena r±j± antare paribhinno bhavissat²”ti ñatv± “sakkonto j±niss±mi, mah±r±j±”ti vatv± geha½ gantv± subhojana½ bhuñjitv± cintayam±no sayane nipajji, sakkassa bhavana½ uºh±k±ra½ dassesi. Sakko ±vajjento bodhisattassa citta½ ñatv± vegen±gantv± sirigabbha½ pavisitv± ±k±se µhatv± “ki½ cintesi paº¹it±”ti pucchi. “Kosi tvan”ti? “Sakkohamasm²”ti. “R±j± ma½ ‘uyy±na½ m±peh²’ti ±ha, ta½ cintem²”ti. “Paº¹ita, m± cintayi, aha½ te nandanavanacittalat±vanasadisa½ uyy±na½ m±pess±mi, katarasmi½ µh±ne m±pem²”ti? “Asukaµµh±ne m±peh²”ti. Sakko m±petv± devapurameva gato.
Punadivase bodhisatto uyy±na½ paccakkhato disv± gantv± rañño ±rocesi– “niµµhita½ te, mah±r±ja, uyy±na½, k²¼ass³”ti. R±j± gantv± aµµh±rasahatthena manosil±vaººena p±k±rena parikkhitta½ dv±raµµ±lakasampanna½ pupphaphalabh±rabharitan±n±rukkhapaµimaº¹ita½ uyy±na½ disv± k±¼aka½ pucchi– “paº¹itena amh±ka½ vacana½ kata½, id±ni ki½ karom±”ti. “Mah±r±ja, ekarattena uyy±na½ m±petu½ sakkonto rajja½ gahetu½ ki½ na sakkot²”ti? “Id±ni ki½ karom±”ti? “Aparampi na½ asayhakamma½ k±rem±”ti. “Ki½ kamma½ n±m±”ti? “Sattaratanamaya½ pokkharaºi½ m±pem±”ti. R±j± “s±dh³”ti bodhisatta½ ±mantetv± “±cariya, uyy±na½ t±va te m±pita½ etassa pana anucchavika½ sattaratanamaya½ pokkharaºi½ m±pehi. Sace m±petu½ na sakkhissasi, j²vita½ te natth²”ti ±ha. Bodhisatto “s±dhu, mah±r±ja, sakkonto m±pess±m²”ti ±ha. Athassa sakko pokkharaºi½ m±pesi sobhaggappatta½ satatittha½ sahassavaªka½ pañcavaººapadumasañchanna½ nandanapokkharaºisadisa½.
Punadivase bodhisatto tampi paccakkha½ katv± rañño ±rocesi– “m±pit±, deva, pokkharaº²”ti. R±j± tampi disv± “id±ni ki½ karom±”ti k±¼aka½ pucchi. “Uyy±nassa anucchavika½ geha½ m±petu½ ±º±pehi, dev±”ti. R±j± bodhisatta½ ±mantetv± “id±ni, ±cariya, imassa uyy±nassa ceva pokkharaºiy± ca anucchavika½ sabbadantamaya½ geha½ m±pehi, no ce m±pessasi, j²vita½ te natth²”ti ±ha. Athassa sakko gehampi m±pesi. Bodhisatto punadivase tampi paccakkha½ katv± rañño ±rocesi. R±j± tampi disv± “id±ni ki½ karom±”ti k±¼aka½ pucchi. “Gehassa anucchavika½ maºi½ m±petu½ ±º±pehi, mah±r±j±”ti ±ha. R±j± bodhisatta½ ±mantetv± “paº¹ita, imassa dantamayagehassa anucchavika½ maºi½ m±pehi, maºi-±lokena vicariss±ma. Sace m±petu½ na sakkosi, j²vita½ te natth²”ti ±ha. Athassa sakko maºimpi m±pesi.
Bodhisatto punadivase ta½ paccakkha½ katv± rañño ±rocesi R±j± tampi disv± “id±ni ki½ kariss±m±”ti k±¼aka½ pucchi. “Mah±r±ja, dhammadhajabr±hmaºassa icchiticchitad±yik± devat± atthi maññe, id±ni ya½ devat±pi m±petu½ na sakkoti, ta½ ±º±pehi. Caturaªgasamann±gata½ n±ma manussa½ devat±pi m±petu½ na sakkoti, tasm± ‘caturaªgasamann±gata½ me uyy±nap±la½ m±peh²’ti ta½ vad±h²”ti. R±j± bodhisatta½ ±mantetv± “±cariya, tay± amh±ka½ uyy±na½, pokkharaº², dantamayap±s±do, tassa ±lokakaraºatth±ya maºiratanañca m±pita½, id±ni me uyy±narakkhaka½ caturaªgasamann±gata½ uyy±nap±la½ m±pehi, no ce m±pessasi, j²vita½ te natth²”ti ±ha. Bodhisatto “hotu, labham±no j±niss±m²”ti geha½ gantv± subhojana½ bhuñjitv± nipanno pacc³sak±le pabujjhitv± sayanap²µhe nisinno cintesi– “sakko devar±j± ya½ attan± sakk± m±petu½, ta½ m±pesi, caturaªgasamann±gata½ pana uyy±nap±la½ na sakk± m±petu½, eva½ sante paresa½ hatthe maraºato araññe an±thamaraºameva varataran”ti. So kassaci an±rocetv± p±s±d± otaritv± aggadv±reneva nagar± nikkhamitv± arañña½ pavisitv± aññatarasmi½ rukkham³le sata½ dhamma½ ±vajjam±no nis²di.
Sakko ta½ k±raºa½ ñatv± vanacarako viya hutv± bodhisatta½ upasaªkamitv± “br±hmaºa, tva½ sukhum±lo, adiµµhapubbadukkhar³po viya ima½ arañña½ pavisitv± ki½ karonto nisinnos²”ti imamattha½ pucchanto paµhama½ g±tham±ha–
136. “Sukha½ j²vitar³posi, raµµh± vivanam±gato;
so ekako rukkham³le, kapaºo viya jh±yas²”ti.
Tattha sukha½ j²vitar³pos²ti tva½ sukhena j²vitasadiso sukhedhito sukhaparihato viya. Raµµh±ti ±kiººamanussaµµh±n±. Vivanam±gatoti nirudakaµµh±na½ arañña½ paviµµho. Rukkham³leti rukkhasam²pe. Kapaºo viya jh±yas²ti kapaºo viya ekako nisinno jh±yasi pajjh±yasi, ki½ n±meta½ cintes²ti pucchi.
Ta½ sutv± bodhisatto dutiya½ g±tham±ha–
140. “Sukha½ j²vitar³posmi, raµµh± vivanam±gato;
so ekako rukkham³le, kapaºo viya jh±y±mi;
sata½ dhamma½ anussaran”ti.
Tattha sata½ dhamma½ anussaranti, samma, saccameta½, aha½ sukha½ j²vitar³po raµµh± ca vivanam±gato, soha½ ekakova imasmi½ rukkham³le nis²ditv± kapaºo viya jh±y±mi. Ya½ pana vadesi “ki½ n±meta½ cintes²”ti, ta½ te pavedemi “sata½ dhamman”ti. Ahañhi sata½ dhamma½ anussaranto idha nisinno. Sata½ dhammanti buddhapaccekabuddhabuddhas±vak±na½ sata½ sappuris±na½ paº¹it±na½ dhamma½. L±bho al±bho yaso ayaso nind± pasa½s± sukha½ dukkhanti ayañhi aµµhavidho lokadhammo. Imin± pana abbh±hat± santo na kampanti na pavedhenti, ayamettha akampanasaªkh±to sata½ dhammo ima½ anussaranto nisinnomh²ti d²peti.
Atha na½ sakko “eva½ sante, br±hmaºa, imasmi½ µh±ne kasm± nisinnos²”ti. “R±j± caturaªgasamann±gata½ uyy±nap±la½ ±har±peti, t±disa½ na sakkomi laddhu½, soha½ ‘ki½ me parassa hatthe maraºena, arañña½ pavisitv± an±thamaraºa½ mariss±m²’ti cintetv± idh±gantv± nisinno”ti. “Br±hmaºa, aha½ sakko devar±j±, may± te uyy±n±d²ni m±pit±ni, caturaªgasamann±gata½ uyy±nap±la½ m±petu½ na sakk±, tumh±ka½ rañño s²sappas±dhanakappako chattap±ºi n±ma, so caturaªgasamann±gato, caturaªgasamann±gatena uyy±nap±lena atthe sati eta½ kappaka½ uyy±nap±la½ k±tu½ vadeh²”ti. Iti sakko bodhisattassa ov±da½ datv± “m± bh±y²”ti samass±setv± attano devapurameva gato.
Bodhisatto geha½ gantv± bhuttap±tar±so r±jadv±ra½ gantv± chattap±ºimpi tattheva disv± hatthe gahetv± “tva½ kira, samma chattap±ºi, caturaªgasamann±gatos²”ti pucchitv± “ko te mayha½ caturaªgasamann±gatabh±va½ ±cikkh²”ti vutte “sakko, devar±j±”ti vatv± “ki½k±raº± ±cikkh²”ti puµµho “imin± n±ma k±raºen±”ti sabba½ ±cikkhi. So “±ma, aha½ caturaªgasamann±gato”ti ±ha. Atha na½ bodhisatto hatthe gahetv±va rañño santika½ gantv± “aya½, mah±r±ja, chattap±ºi, caturaªgasamann±gato, caturaªgasamann±gatena uyy±nap±lena atthe sati ima½ uyy±nap±la½ karoth±”ti ±ha. Atha na½ r±j± “tva½ kira caturaªgasamann±gatos²”ti pucchi. “¾ma, mah±r±j±”ti. “Katamehi caturaªgehi samann±gatos²”ti?
“Anus³yako aha½ deva, amajjap±yako aha½;
nisnehako aha½ deva, akkodhana½ adhiµµhito”ti.
“Mayhañhi, mah±r±ja, us³y± n±ma natthi, majja½ me na pivitapubba½, paresu me sneho v± kodho v± na bh³tap³bbo. Imehi cat³hi aªgehi samann±gatomh²”ti.
Atha na½ r±j±, bho chattap±ºi, “anus³yakosm²”ti vadas²ti. “¾ma, deva, anus³yakomh²”ti. “Ki½ ±rammaºa½ disv± anus³yako j±tos²”ti? “Suº±hi dev±”ti attano anus³yakak±raºa½ kathento ima½ g±tham±ha–
“Itthiy± k±raº± r±ja, bandh±pesi½ purohita½;
so ma½ atthe nivedesi, tasm±ha½ anus³yako”ti.
Tassattho– aha½, deva, pubbe imasmi½yeva b±r±ºasinagare t±disova r±j± hutv± itthiy± k±raº± purohita½ bandh±pesi½.
“Abaddh± tattha bajjhanti, yattha b±l± pabh±sare;
baddh±pi tattha muccanti, yattha dh²r± pabh±sare”ti. (J±. 1.1.120)–

Imasmiñhi j±take ±gatanayeneva ekasmi½ k±le aya½ chattap±ºi r±j± hutv± catusaµµhiy± p±dam³likehi saddhi½ sampadussitv± bodhisatta½ attano manoratha½ ap³renta½ n±setuk±m±ya deviy± paribhinno bandh±pesi. Tad± na½ bandhitv± ±n²to bodhisatto yath±bh³ta½ deviy± dosa½ ±ropetv± saya½ mutto raññ± bandh±pite sabbepi te p±dam³like mocetv± “etesañca deviy± ca apar±dha½ khamatha, mah±r±j±”ti ovadi. Sabba½ heµµh± vuttanayeneva vitth±rato veditabba½. Ta½ sandh±y±ha–

“Itthiy± k±raº± r±ja, bandh±pesi½ purohita½;
so ma½ atthe nivedesi, tasm±ha½ anus³yako”ti.
Tad± pana soha½ cintesi½– “aha½ so¼asa sahassa-itthiyo pah±ya eta½ ekameva kilesavasena saªgaºhantopi santappetu½ n±sakkhi½, eva½ dupp³raº²y±na½ itth²na½ kujjhana½ n±ma nivatthavatthe kilissante ‘kasm± kilissas²’ti kujjhanasadisa½ hoti, bhuttabhatte g³thabh±va½ ±pajjante ‘kasm± eta½ sabh±va½ ±pajjas²’ti kujjhanasadisa½ hoti. ‘Ito d±ni paµµh±ya y±va arahatta½ na p±puº±mi, t±va kilesa½ niss±ya mayi us³y± m± uppajjat³”’ti adhiµµhahi½. Tato paµµh±ya anus³yako j±to. Ida½ sandh±ya– “tasm±ha½ anus³yako”ti ±ha.
Atha na½ r±j± “samma chattap±ºi, ki½ ±rammaºa½ disv± amajjapo j±tos²”ti pucchi. So ta½ k±raºa½ ±cikkhanto ima½ g±tham±ha–
“Matto aha½ mah±r±ja, puttama½s±ni kh±dayi½;
tassa sokenaha½ phuµµho, majjap±na½ vivajjayin”ti.
Aha½, mah±r±ja, pubbe t±diso b±r±ºasir±j± hutv± majjena vin± vattitu½ n±sakkhi½, ama½sakabhattampi bhuñjitu½ n±sakkhi½. Nagare uposathadivasesu m±gh±to hoti, bhattak±rako pakkhassa terasiyaññeva ma½sa½ gahetv± µhapesi, ta½ dunnikkhitta½ sunakh± kh±di½su. Bhattak±rako uposathadivase ma½sa½ alabhitv± rañño n±naggarasabhojana½ pacitv± p±s±da½ ±ropetv± upan±metu½ asakkonto devi½ upasaªkamitv± “devi, ajja me ma½sa½ na laddha½, ama½sakabhojana½ n±ma upan±metu½ na sakkomi, kinti karom²”ti ±ha. “T±ta, mayha½ putto raññ± piyo man±po, putta½ me disv± r±j± tameva cumbanto parissajanto attano atthibh±vampi na j±n±ti, aha½ putta½ maº¹etv± rañño ³rumhi nis²d±peyya½, rañño puttena saddhi½ k²¼anak±le tva½ bhatta½ upaneyy±s²”ti. S± eva½ vatv± attano putta½ alaªkat±bharaºa½ maº¹etv± rañño ³rumhi nis²d±pesi. Rañño puttena saddhi½ k²¼anak±le bhattak±rako bhatta½ upan±mesi. R±j± sur±madamatto p±tiya½ ma½sa½ adisv± “ma½sa½ kahan”ti pucchitv± “ajja, deva, uposathadivasa½ m±gh±tat±ya ma½sa½ na laddhan”ti vutte “mayha½ ma½sa½ n±ma dullabhan”ti vatv± ³rumhi nisinnassa piyaputtassa g²va½ vaµµetv± j²vitakkhaya½ p±petv± bhattak±rakassa purato khipitv± “vegena samp±detv± ±har±”ti ±ha. Bhattak±rako tath± ak±si, r±j± puttama½sena bhatta½ bhuñji. Rañño bhayena ekopi kanditu½ v± roditu½ v± kathetu½ v± samattho n±ma n±hosi.
R±j± bhuñjitv± sayanapiµµhe nidda½ upagantv± pacc³sak±le pabujjhitv± vigatamado “putta½ me ±neth±”ti ±ha. Tasmi½ k±le dev² kandam±n± p±dam³le pati. “Ki½, bhadde”ti ca vutte “deva, hiyyo te putta½ m±retv± puttama½sena bhatta½ bhuttan”ti ±ha. R±j± puttasokena roditv± kanditv± “ida½ me dukkha½ sur±p±na½ niss±ya uppannan”ti sur±p±ne dosa½ disv± “ito paµµh±ya y±va arahatta½ na p±puº±mi, t±va evar³pa½ vin±sak±raka½ sura½ n±ma na piviss±m²”ti pa½su½ gahetv± mukha½ puñchitv± adhiµµh±si. Tato paµµh±ya majja½ n±ma na pivi½. Imamattha½ sandh±ya– “matto aha½, mah±r±j±”ti ima½ g±tham±ha.
Atha na½ r±j± “ki½ pana, samma chattap±ºi, ±rammaºa½ disv± nisneho j±tos²”ti pucchi. So ta½ k±raºa½ ±cikkhanto ima½ g±tham±ha–
“Kitav±so n±maha½ r±ja, putto paccekabodhi me;
patta½ bhinditv± cavito, nisneho tassa k±raº±”ti.
Mah±r±ja, pubbe aha½ b±r±ºasiya½yeva kitav±so n±ma r±j±. Tassa me putto vij±yi. Lakkhaºap±µhak± ta½ disv± “mah±r±ja, aya½ kum±ro p±n²ya½ alabhitv± marissat²”ti ±ha½su. “Duµµhakum±ro”tissa n±ma½ ahosi. So viññuta½ patto oparajja½ k±resi, r±j± kum±ra½ purato v± pacchato v± katv± vicari, p±n²ya½ alabhitv± maraºabhayena cassa cat³su dv±resu antonagaresu ca tattha tattha pokkharaºiyo k±resi, catukk±d²su maº¹ape k±retv± p±n²yac±µiyo µhap±pesi. So ekadivase alaªkatapaµiyatto p±tova uyy±na½ gacchanto antar±magge paccekabuddha½ passi. Mah±janopi paccekabuddha½ disv± tameva vandati pasa½sati, añjaliñcassa paggaºh±ti.
Kum±ro cintesi– “m±disena saddhi½ gacchant± ima½ muº¹aka½ vandanti pasa½santi, añjaliñcassa paggaºhant²”ti. So kupito hatthikkhandhato oruyha paccekabuddha½ upasaªkamitv± “laddha½ te, samaºa, bhattan”ti vatv± “±ma, kum±r±”ti vutte tassa hatthato patta½ gahetv± bh³miya½ p±tetv± saddhi½ bhattena madditv± p±dappah±rena cuººavicuººa½ ak±si. Paccekabuddho “naµµho vat±ya½ satto”ti tassa mukha½ olokesi. Kum±ro “aha½, samaºa, kitav±sarañño putto, n±mena duµµhakum±ro n±ma, tva½ me kuddho akkh²ni umm²letv± olokento ki½ karissas²”ti ±ha.
Paccekabuddho chinnabhatto hutv± veh±sa½ abbhuggantv± uttarahimavante nandanam³lapabbh±rameva gato. Kum±rass±pi taªkhaºaññeva p±pakamma½ paripacci. So “¹ayh±mi ¹ayh±m²”ti samuggatasar²ra¹±ho tattheva pati. Tattha tattheva yattaka½ p±n²ya½, tattaka½ p±n²ya½ sabba½ chijji, m±tik± sussi½su, tattheva j²vitakkhaya½ patv± av²cimhi nibbatti. R±j± ta½ pavatti½ sutv± puttasokena abhibh³to cintesi– “aya½ me soko piyavatthuto uppajji, sace me sneho n±bhavissa, soko na uppajjissa, ito d±ni me paµµh±ya saviññ±ºake v± aviññ±ºake v± kismiñci vatthusmi½ sneho n±ma m± uppajjat³”ti adhiµµh±si, tato paµµh±ya sneho n±ma natthi. Ta½ sandh±ya “kitav±so n±m±han”ti g±tham±ha.
Tattha putto paccekabodhi me. Patta½ bhinditv± cavitoti mama putto paccekabodhipatta½ bhinditv± cavitoti attho. Nisneho tassa k±raº±ti tad± uppannasnehavatthussa k±raº± aha½ nisneho j±toti attho.
Atha na½ r±j± “ki½ pana, samma, ±rammaºa½ disv± nikkodho j±tos²”ti pucchi. So ta½ k±raºa½ ±cikkhanto ima½ g±tham±ha–
“Arako hutv± mettacitta½, satta vass±ni bh±vayi½;
satta kappe brahmaloke, tasm± akkodhano ahan”ti.
Tassattho– aha½, mah±r±ja, arako n±ma t±paso hutv± satta vass±ni mettacitta½ bh±vetv± satta sa½vaµµavivaµµakappe brahmaloke vasi½, tasm± aha½ d²gharatta½ mett±bh±van±ya ±ciººapariciººatt± akkodhano j±toti.
Eva½ chattap±ºin± attano cat³su aªgesu kathitesu r±j± paris±ya iªgitasañña½ ad±si. Taªkhaºaññeva amacc± ca br±hmaºagahapatik±dayo ca uµµhahitv± “are lañjakh±daka duµµhacora, tva½ lañja½ alabhitv± paº¹ita½ upavaditv± m±retuk±mo j±to”ti k±¼aka½ sen±pati½ hatthap±desu gahetv± r±janivesan± ot±retv± gahitagahiteheva p±s±ºamuggarehi s²sa½ bhinditv± j²vitakkhaya½ p±petv± p±desu gahetv± ka¹¹hant± saªk±raµµh±ne cha¹¹esu½. Tato paµµh±ya r±j± dhammena rajja½ k±rento yath±kamma½ gato.
Satth± ima½ dhammadesana½ ±haritv± j±taka½ samodh±nesi– “tad± k±¼akasen±pati devadatto ahosi, chattap±ºikappako s±riputto, sakko anuruddho, dhammadhajo pana ahameva ahosin”ti.

Dhammadhajaj±takavaººan± dasam±.

B²raºathambhavaggo sattamo.

Tassudd±na½–
Somadattañca ucchiµµha½, kuru puººanad²pi ca;
kacchapamacchaseggu ca, k³µav±ºijagarahi;
dhammadhajanti te dasa.