4. Abbhantaravaggo

[281] 1. Abbhantaraj±takavaººan±

Abbhantaro n±ma dumoti ida½ satth± jetavane viharanto s±riputtattherassa bimb±dev²theriy± ambarasad±na½ ±rabbha kathesi. Samm±sambuddhe hi pavattitavaradhammacakke ves±liya½ k³µ±g±ras±l±ya½ viharante mah±paj±pat² gotam² pañca s±kiyasat±ni ±d±ya gantv± pabbajja½ y±citv± pabbajjañceva upasampadañca labhi. Aparabh±ge t± pañcasat± bhikkhuniyo nandakov±da½ (ma. ni. 3.398 ±dayo) sutv± arahatta½ p±puºi½su. Satthari pana s±vatthi½ upaniss±ya viharante r±hulam±t± bimb±dev² “s±miko me pabbajitv± sabbaññuta½ patto, puttopi me pabbajitv± tasseva santike vasati, aha½ ag±ramajjhe ki½kariss±mi, ahampi pabbajitv± s±vatthi½ gantv± samm±sambuddhañca puttañca nibaddha½ passam±n± vihariss±m²”ti cintetv± bhikkhunupassaya½ gantv± pabbajitv± ±cariyupajjh±y±hi saddhi½ s±vatthi½ gantv± satth±rañca piyaputtañca passam±n± ekasmi½ bhikkhunupassaye v±sa½ kappesi. R±hulas±maºero ±gantv± m±tara½ passati.
Athekadivasa½ theriy± udarav±to kuppi. S± putte daµµhu½ ±gate tassa dassanatth±ya nikkhamitu½ n±sakkhi, aññ±va ±gantv± aph±sukabh±va½ kathayi½su. So m±tu santika½ gantv± “ki½ te laddhu½ vaµµat²”ti pucchi. “T±ta, ag±ramajjhe me sakkharayojite ambarase p²te udarav±to v³pasammati, id±ni piº¹±ya caritv± j²vika½ kappema, kuto ta½ labhiss±m±”ti. S±maºero “labhanto ±hariss±m²”ti vatv± nikkhami. Tassa pan±yasmato upajjh±yo dhammasen±pati, ±cariyo mah±moggall±no, c³¼apit± ±nandatthero, pit± samm±sambuddhoti mah±sampatti. Eva½ santepi aññassa santika½ agantv± upajjh±yassa santika½ gantv± vanditv± dummukh±k±ro hutv± aµµh±si. Atha na½ thero “ki½ nu kho, r±hula, dummukho viy±s²”ti ±ha. “M±tu me, bhante, theriy± udarav±to kupito”ti. “Ki½ laddhu½ vaµµat²”ti? “Sakkharayojitena kira ambarasena ph±su hot²”ti. “Hotu labhiss±mi, m± cintay²”ti.
So punadivase ta½ ±d±ya s±vatthi½ pavisitv± s±maºera½ ±sanas±l±ya½ nis²d±petv± r±jadv±ra½ agam±si. Kosalar±j± thera½ disv± nis²d±pesi, taªkhaºaññeva uyy±nap±lo piº¹ipakk±na½ madhura-amb±na½ eka½ puµa½ ±hari. R±j± amb±na½ taca½ apanetv± sakkhara½ pakkhipitv± sayameva madditv± therassa patta½ p³retv± ad±si. Thero r±janivesan± nikkhamitv± ±sanas±la½ gantv± s±maºerassa ad±si “haritv± m±tu te deh²”ti. So haritv± ad±si, theriy± paribhuttamatteva udarav±to v³pasami. R±j±pi manussa½ pesesi– “thero idha nis²ditv± ambarasa½ na paribhuñji, gaccha kassaci dinnabh±va½ j±n±h²”ti. So therena saddhi½yeva gantv± ta½ pavatti½ ñatv± ±gantv± rañño kathesi. R±j± cintesi– “sace satth± ag±ra½ ajjh±vasissa, cakkavattir±j± abhavissa, r±hulas±maºero pariº±yakaratana½, ther² itthiratana½, sakalacakkav±¼arajja½ etesaññeva abhavissa. Amhehi ete upaµµhahantehi caritabba½ assa, id±ni pabbajitv± amhe upaniss±ya vasantesu etesu na yutta½ amh±ka½ pamajjitun”ti. So tato paµµh±ya theriy± nibaddha½ ambarasa½ d±pesi. Therena bimb±dev²theriy± ambarasassa dinnabh±vo bhikkhusaªghe p±kaµo j±to. Athekadivasa½ bhikkh³ dhammasabh±ya½ katha½ samuµµh±pesu½– “±vuso, s±riputtatthero kira bimb±dev²theri½ ambarasena santappes²”ti. Satth± ±gantv± “k±ya nuttha, bhikkhave, etarahi kath±ya sannisinn±”ti pucchitv± “im±ya n±m±”ti vutte “na, bhikkhave, id±neva r±hulam±t± s±riputtena ambarasena santappit±, pubbepesa eta½ santappesiyev±”ti vatv± at²ta½ ±hari.
At²te b±r±ºasiya½ brahmadatte rajja½ k±rente bodhisatto k±sig±make br±hmaºakule nibbattitv± vayappatto takkasil±ya½ sabbasipp±ni uggaºhitv± saºµhapitaghar±v±so m±t±pit³na½ accayena isipabbajja½ pabbajitv± himavantapadese abhiññ± ca sam±pattiyo ca nibbattetv± isigaºaparivuto gaºasatth± hutv± d²ghassa addhuno accayena loºambilasevanatth±ya pabbatap±d± otaritv± c±rika½ caram±no b±r±ºasi½ patv± uyy±ne v±sa½ kappesi. Athassa isigaºassa s²latejena sakkassa bhavana½ kampi. Sakko ±vajjam±no ta½ k±raºa½ ñatv± “imesa½ t±pas±na½ av±s±ya parisakkiss±mi, atha te bhinn±v±s± upaddut± caram±n± cittekaggata½ na labhissanti, eva½ me ph±suka½ bhavissat²”ti cintetv± “ko nu kho up±yo”ti v²ma½santo ima½ up±ya½ addasa– majjhimay±masamanantare rañño aggamahesiy± sirigabbha½ pavisitv± ±k±se µhatv± “bhadde, sace tva½ abbhantara-ambapakka½ kh±deyy±si, putta½ labhissasi, so cakkavattir±j± bhavissat²”ti ±cikkhiss±mi. R±j± deviy± katha½ sutv± ambapakkatth±ya uyy±na½ pesessati, ath±ha½ amb±ni antaradh±pess±mi, rañño uyy±ne amb±na½ abh±va½ ±rocessanti “ke te kh±dant²”ti vutte “t±pas± kh±dant²”ti vakkhanti, ta½ sutv± r±j± t±pase pothetv± n²har±pessati, eva½ te upaddut± bhavissant²ti.
So majjhimay±masamanantare sirigabbha½ pavisitv± ±k±se µhito attano devar±jabh±va½ j±n±petv± t±ya saddhi½ sallapanto purim± dve g±th± avoca–
91. “Abbhantaro n±ma dumo, yassa dibyamida½ phala½;
bhutv± doha¼in² n±r², cakkavatti½ vij±yati.
92. “Tvampi bhadde mahes²si, s± c±pi patino piy±;
±harissati te r±j±, ida½ abbhantara½ phalan”ti.
Tattha abbhantaro n±ma dumoti imin± t±va g±manigamajanapadapabbat±d²na½ asukassa abbhantaroti avatv± kevala½ eka½ abbhantara½ ambarukkha½ kathesi. Yassa dibyamida½ phalanti yassa ambarukkhassa devat±na½ paribhog±raha½ dibya½ phala½. Idanti pana nip±tamattameva. Doha¼in²ti sañj±tadoha¼±. Tvampi, bhadde, mahes²s²ti tva½, sobhane mahes², asi. Aµµhakath±ya½ pana “mahes² c±”tipi p±µho. S± c±pi patino piy±ti so¼asanna½ dev²sahass±na½ abbhantare aggamahes² c±pi patino c±pi piy±ti attho. ¾harissati te r±j±, ida½ abbhantara½ phalanti tass± te piy±ya aggamahesiy± ida½ may± vuttappak±ra½ phala½ r±j± ±har±pessati, s± tva½ ta½ paribhuñjitv± cakkavattigabbha½ labhissas²ti.
Eva½ sakko deviy± im± dve g±th± vatv± “tva½ appamatt± hohi, m± papañca½ ak±si, sve rañño ±roceyy±s²”ti ta½ anus±sitv± attano vasanaµµh±nameva gato. S± punadivase gil±n±laya½ dassetv± paric±rik±na½ sañña½ datv± nipajji. R±j± samussitasetacchatte s²h±sane nisinno n±µak±ni passanto devi½ adisv± “kaha½, dev²”ti paric±rike pucchi. “Gil±n±, dev±”ti. So tass± santika½ gantv± sayanapasse nis²ditv± piµµhi½ parimajjanto “ki½ te, bhadde, aph±sukan”ti pucchi. “Mah±r±ja añña½ aph±suka½ n±ma natthi, doha¼o me uppanno”ti. “Ki½ icchasi, bhadde”ti? “Abbhantara-ambaphala½ dev±”ti. “Abbhantara-ambo n±ma kaha½ atth²”ti? “N±ha½, deva, abbhantara-amba½ j±n±mi, tassa pana me phala½ labham±n±ya j²vita½ atthi, alabham±n±ya natth²”ti. “Tena hi ±har±pess±mi m± cintay²”ti r±j± devi½ ass±setv± uµµh±ya gantv± r±japallaªke nisinno amacce pakkos±petv± “deviy± abbhantara-ambe n±ma doha¼o uppanno, ki½ k±tabban”ti pucchi. “Deva dvinna½ amb±na½ antare µhito ambo abbhantara-ambo n±ma, uyy±na½ pesetv± abbhantare µhita-ambato phala½ ±har±petv± deviy± d±peth±”ti.
R±j± “s±dhu, evar³pa½ amba½ ±harath±”ti uyy±na½ pesesi. Sakko attano ±nubh±vena uyy±ne amb±ni kh±ditasadis±ni katv± antaradh±pesi. Ambatth±ya gat± manuss± sakala-uyy±na½ vicarant± eka½ ambampi alabhitv± gantv± uyy±ne amb±na½ abh±va½ rañño kathayi½su. “Ke amb±ni kh±dant²”ti? “T±pas±, dev±”ti. “T±pase uyy±nato pothetv± n²harath±”ti. Manuss± “s±dh³”ti paµissuºitv± n²hari½su. Sakkassa manoratho matthaka½ p±puºi. Dev² ambaphalatth±ya nibaddha½ katv± nipajjiyeva. R±j± kattabbakicca½ apassanto amacce ca br±hmaºe ca sannip±t±petv± “abbhantara-ambassa atthibh±va½ j±n±th±”ti pucchi. Br±hmaº± ±ha½su– “deva, abbhantara-ambo n±ma devat±na½ paribhogo, ‘himavante kañcanaguh±ya anto atth²’ti aya½ no parampar±gato anussavo”ti. “Ko pana tato amba½ ±haritu½ sakkhissat²”ti? “Na sakk± tattha manussabh³tena gantu½, eka½ suvapotaka½ pesetu½ vaµµat²”ti.
Tena ca samayena r±jakule eko suvapotako mah±sar²ro kum±rak±na½ y±nakacakkan±bhimatto th±masampanno paññav± up±yakusalo. R±j± ta½ ±har±petv± “t±ta suvapotaka, aha½ tava bah³pak±ro, kañcanapañjare vasasi, suvaººataµµake madhul±je kh±dasi, sakkharap±naka½ pivasi, tay±pi amh±ka½ eka½ kicca½ nittharitu½ vaµµat²”ti ±ha. “Ki½, dev±”ti. “T±ta deviy± abbhantara-ambe doha¼o uppanno, so ca ambo himavante kañcanapabbatantare atthi devat±na½ paribhogo, na sakk± manussabh³tena tattha gantu½, tay± tato ambaphala½ ±haritu½ vaµµat²”ti. “S±dhu, deva, ±hariss±m²”ti. Atha na½ r±j± suvaººataµµake madhul±je kh±d±petv± sakkharap±naka½ p±yetv± satap±katelena tassa pakkhantar±ni makkhetv± ubhohi hatthehi gahetv± s²hapañjare µhatv± ±k±se vissajjesi. Sopi rañño nipaccak±ra½ dassetv± ±k±se pakkhandanto manussapatha½ atikkamma himavante paµhame pabbatantare vasant±na½ suk±na½ santika½ gantv± abbhantara-ambo n±ma kattha atthi, kathetha me ta½ µh±nan”ti pucchi. “Maya½ na j±n±ma, dutiye pabbatantare suk± j±nissant²”ti.
So tesa½ vacana½ sutv± tato uppatitv± dutiya½ pabbatantara½ agam±si, tath± tatiya½, catuttha½ pañcama½, chaµµha½ agam±si. Tatthapi na½ suk± “na maya½ j±n±ma, sattamapabbatantare suk± j±nissant²”ti ±ha½su. So tatthapi gantv± “abbhantara-ambo n±ma kattha atth²”ti pucchi. “Asukaµµh±ne n±ma kañcanapabbatantare”ti ±ha½su. “Aha½ tassa phalatth±ya ±gato, ma½ tattha netv± tato me phala½ d±peth±”ti. Sukagaº± ±ha½su– “samma, so vessavaºamah±r±jassa paribhogo, na sakk± upasaªkamitu½, sakalarukkho m³lato paµµh±ya sattahi lohaj±lehi parikkhitto, sahassakumbhaº¹arakkhas± rakkhanti, tehi diµµhassa j²vita½ n±ma natthi, kappuµµh±naggi-av²cimah±nirayasadisaµµh±na½, m± tattha patthana½ kar²”ti. “Sace tumhe na gacchatha, mayha½ µh±na½ ±cikkhath±”ti. “Tena hi asukena ca asukena ca µh±nena y±h²”ti. So tehi ±cikkhitavaseneva suµµhu magga½ upadh±retv± ta½ µh±na½ gantv± div± att±na½ adassetv± majjhimay±masamanantare rakkhas±na½ niddokkamanasamaye abbhantara-ambassa santika½ gantv± ekena m³lantarena saºika½ abhiruhitu½ ±rabhi. Lohaj±la½ “kir²”ti saddamak±si
Rakkhas± pabujjhitv± sukapotaka½ disv± “ambacoroyan”ti gahetv± kammakaraºa½ sa½vidahi½su. Eko “mukhe pakkhipitv± giliss±mi nan”ti ±ha, aparo “hatthehi madditv± puñjitv± vippakiriss±mi nan”ti, aparo “dvedh± ph±letv± aªg±resu pacitv± kh±diss±m²”ti. So tesa½ kammakaraºasa½vidh±na½ sutv±pi asantasitv±va te rakkhase ±mantetv± “ambho rakkhas±, tumhe kassa manuss±”ti ±ha. “Vessavaºamah±r±jass±”ti. “Ambho, tumhepi ekassa raññova manuss±, ahampi raññova manusso, b±r±ºasir±j± ma½ abbhantara-ambaphalatth±ya pesesi, sv±ha½ tattheva attano rañño j²vita½ datv± ±gato. Yo hi attano m±t±pit³nañceva s±mikassa ca atth±ya j²vita½ pariccajati, so devalokeyeva nibbattati, tasm± ahampi imamh± tiracch±nayoniy± cavitv± devaloke nibbattiss±m²”ti vatv± tatiya½ g±tham±ha–
93. “Bhatturatthe parakkanto, ya½ µh±namadhigacchati;
s³ro attaparicc±g², labham±no bhav±mahan”ti.
Tattha bhatturattheti bhatt± vuccanti bhatt±d²hi bharaºaposak± pit± m±t± s±miko ca, iti tividhassapetassa bhattu atth±ya. Parakkantoti parakkama½ karonto v±yamanto. Ya½ µh±namadhigacchat²ti ya½ sukhak±raºa½ yasa½ v± l±bha½ v± sagga½ v± adhigacchati. S³roti abh²ru vikkamasampanno. Attaparicc±g²ti k±ye ca j²vite ca nirapekkho hutv± tassa tividhassapi bhattu atth±ya att±na½ pariccajanto. Labham±no bhav±mahanti ya½ so evar³po s³ro devasampatti½ v± manussasampatti½ v± labhati, ahampi ta½ labham±no bhav±mi, tasm± h±sova me ettha, na t±so, ki½ ma½ tumhe t±seth±ti.
Eva½ so im±ya g±th±ya tesa½ dhamma½ desesi. Te tassa dhammakatha½ sutv± pasannacitt± “dhammiko esa, na sakk± m±retu½, vissajjema nan”ti vatv± sukapotaka½ vissajjetv± ‘ambho sukapotaka, muttosi, amh±ka½ hatthato sotthin± gacch±”ti ±ha½su. “Mayha½ ±gamana½ m± tuccha½ karotha, detha me eka½ ambaphalan”ti. “Sukapotaka, tuyha½ eka½ ambaphala½ d±tu½ n±ma na bh±ro, imasmi½ pana rukkhe amb±ni aªketv± gahit±ni, ekasmi½ phale asamente amh±ka½ j²vita½ natthi. Vessavaºena hi kujjhitv± saki½ olokite tattakap±le pakkhittatil± viya kumbhaº¹asahassa½ bhijjitv± vippakir²yati, tena te d±tu½ na sakkoma, labhanaµµh±na½ pana ±cikkhiss±m±”ti. “Yo koci detu, phaleneva me attho, labhanaµµh±na½ ±cikkhath±”ti. “Etassa kañcanapabbatassa antare jotiraso n±ma t±paso aggi½ juham±no kañcanapattiy± n±ma paººas±l±ya½ vasati vessavaºassa kul³pako, vessavaºo tassa nibaddha½ catt±ri ambaphal±ni peseti, tassa santika½ gacch±”ti.
So “s±dh³”ti sampaµicchitv± t±pasassa santika½ gantv± vanditv± ekamanta½ nis²di. Atha na½ t±paso “kuto ±gatos²”ti pucchi. “B±r±ºasirañño santik±”ti. “Kimatth±ya ±gatos²”ti? “S±mi, amh±ka½ rañño deviy± abbhantara-ambapakke doha¼o uppanno, tadattha½ ±gatomhi, rakkhas± pana me saya½ ambapakka½ adatv± tumh±ka½ santika½ pesesun”ti. “Tena hi nis²da, labhissas²”ti. Athassa vessavaºo catt±ri phal±ni pesesi. T±paso tato dve paribhuñji, eka½ suvapotakassa kh±danatth±ya ad±si. Tena tasmi½ kh±dite eka½ phala½ sikk±ya pakkhipitv± suvapotakassa g²v±ya paµimuñcitv± “id±ni gacch±”ti sukapotaka½ vissajjesi So ta½ ±haritv± deviy± ad±si. S± ta½ kh±ditv± doha¼a½ paµippassambhesi, tatonid±na½ panass± putto n±hosi.
Satth± ima½ dhammadesana½ ±haritv± j±taka½ samodh±nesi– “tad± dev² r±hulam±t± ahosi, suko ±nando, ambapakkad±yako t±paso s±riputto, uyy±ne nivutthat±paso pana ahameva ahosin”ti.

Abbhantaraj±takavaººan± paµham±.