7. Kapir±jacariy±vaººan±

67. Sattame yad± aha½ kapi ±sinti yasmi½ k±le aha½ kapiyoniya½ nibbattitv± vuddhimanv±ya n±gabalo th±masampanno assapotakappam±ºo mah±sar²ro kapi homi. Nad²k³le dar²sayeti ekiss± nadiy± t²re ekasmi½ dar²bh±ge yad± v±sa½ kappem²ti attho.
Tad± kira bodhisatto y³thapariharaºa½ akatv± ekacaro hutv± vih±si. Tass± pana nadiy± vemajjhe eko d²pako n±nappak±rehi ambapanas±d²hi phalarukkhehi sampanno. Bodhisatto th±majavasampannat±ya nadiy± orimat²rato uppatitv± d²pakassa pana nadiy± ca majjhe eko piµµhip±s±ºo atthi, tasmi½ patati. Tato uppatitv± tasmi½ d²pake patati. So tattha n±nappak±r±ni phal±phal±ni kh±ditv± s±ya½ teneva up±yena pacc±gantv± attano vasanaµµh±ne vasitv± punadivasepi tatheva karoti. Imin± niy±mena v±sa½ kappesi.
Tasmi½ pana k±le eko kumbh²lo sapaj±patiko tassa½ nadiya½ vasati. Tassa bhariy± bodhisatta½ apar±para½ gacchanta½ disv± tassa hadayama½se doha¼a½ upp±detv± kumbh²la½ ±ha– “mayha½ kho, ayyaputta, imassa v±narassa hadayama½se doha¼o uppanno”ti. So “s±dhu, bhadde, lacchas²”ti vatv± “ajja ta½ s±ya½ d²pakato ±gacchantameva gaºhiss±m²”ti gantv± piµµhip±s±ºe nipajji. Bodhisatto ta½ divasa½ gocara½ caritv± s±yanhasamaye d²pake µhitova p±s±ºa½ oloketv± “aya½ p±s±ºo id±ni uccataro kh±yati, ki½ nu kho k±raºan”ti cintesi. Mah±sattassa hi udakappam±ºañca p±s±ºappam±ºañca suvavatth±pitameva hoti. Tenassa etadahosi– “ajja imiss± nadiy± udaka½ neva h±yati, atha ca pan±ya½ p±s±ºo mah± hutv± paññ±yati, kacci nu kho ettha mayha½ gahaºatth±ya kumbh²lo nipanno”ti?
So “v²ma½siss±mi t±va nan”ti tattheva µhatv± p±s±ºena saddhi½ kathento viya “bho, p±s±º±”ti vatv± paµivacana½ alabhanto y±vatatiya½ “bho, p±s±º±”ti ±ha. P±s±ºo paµivacana½ na deti. Punapi bodhisatto “ki½, bho p±s±ºa, ajja mayha½ paµivacana½ na des²”ti ±ha. Kumbh²lo “addh± aya½ p±s±ºo aññesu divasesu v±narindassa paµivacana½ deti maññe, ajja pana may± ottharitatt± na deti, hand±ha½ dass±missa paµivacanan”ti cintetv± “ki½ v±narind±”ti ±ha. “Kosi tvan”ti? “Aha½ kumbh²lo”ti “Kimattha½ ettha nipannos²”ti? “Tava hadaya½ patthayam±no”ti. Bodhisatto cintesi– “añño me gamanamaggo natthi, paµiruddha½ vata me gamanan”ti. Tena vutta½–
“P²¼ito susum±rena, gamana½ na labh±maha½”.
68. “Yamhok±se aha½ µhatv±, or± p±ra½ pat±maha½;
tatthacchi sattuvadhako, kumbh²lo luddadassano”ti.
Tattha “p²¼ito susum±ren±”ti addhag±th±ya vuttamevattha½. “Yamhok±se”ti g±th±ya p±kaµa½ karoti. Tattha yamhok±seti yasmi½ nad²majjhe µhitapiµµhip±s±ºasaªkh±te padese µhatv±. Or±ti d²pakasaªkh±t± orat²r±. P±ranti tad± mama vasanaµµh±nabh³ta½ nadiy± parat²ra½. Pat±mahanti uppatitv± pat±mi aha½. Tatthacch²ti tasmi½ piµµhip±s±ºappadese sattubh³to vadhako ekanteneva gh±tako paccatthiko luddadassano ghorar³po bhay±nakadassano nis²di.
Atha mah±satto cintesi– “añño me gamanamaggo natthi, ajja may± kumbh²lo vañcetabbo, evañhi ayañca mahat± p±pato may± parimocito siy±, mayhañca j²vita½ laddhan”ti. So kumbh²la½ ±ha– “samma, kumbh²la, aha½ tuyha½ upari patiss±m²”ti. Kumbh²lo “v±narinda, papañca½ akatv± ito ±gacch±h²”ti ±ha. Mah±satto “aha½ ±gacch±mi, tva½ pana attano mukha½ vivaritv± ma½ tava santika½ ±gatak±le gaºh±h²”ti avoca. Kumbh²l±nañca mukhe vivaµe akkh²ni nimm²lanti. So ta½ k±raºa½ asallakkhento mukha½ vivari. Athassa akkh²ni nimm²li½su. So mukha½ vivaritv± sabbaso nimm²litakkh² hutv± nipajji. Mah±satto tassa tath±bh±va½ ñatv± d²pakato uppatito gantv± kumbh²lassa matthaka½ akkamitv± tato uppatanto vijjulat± viya vijjotam±no parat²re aµµh±si. Tena vutta½–
69. “So ma½ asa½si eh²ti, ahampem²ti ta½ vadi½;
tassa matthakamakkamma, parak³le patiµµhahin”ti.
Tattha asa½s²ti abh±si. Ahampem²ti ahampi ±gacch±m²ti ta½ kathesi½.
Yasm± pana ta½ d²paka½ ambajambupanas±diphalarukkhasaº¹amaº¹ita½ ramaº²ya½ niv±sayoggañca, “±gacch±m²”ti pana paµiññ±ya dinnatt± sacca½ anurakkhanto mah±sattopi “±gamiss±mev±”ti tath± ak±si. Tena vutta½–
70. “Na tassa alika½ bhaºita½, yath± v±ca½ ak±sahan”ti;
yasm± ceta½ sacc±nurakkhaºa½ attano j²vita½ pariccajitv± kata½, tasm± ±ha–
“saccena me samo natthi, es± me saccap±ram²”ti.
Kumbh²lo pana ta½ acchariya½ disv± “imin± v±narindena ati-accheraka½ katan”ti cintetv± “bho v±narinda, imasmi½ loke cat³hi dhammehi samann±gato puggalo amitte abhibhavati, te sabbepi tuyha½ abbhantare atthi maññe”ti ±ha–
“Yassete caturo dhamm±, v±narinda, yath± tava;
sacca½ dhammo dhiti c±go, diµµha½ so ativattat²”ti. (J±. 1.2.147).
Tattha yass±ti yassa kassaci puggalassa. Eteti id±ni vattabbe paccakkhato dasseti. Caturo dhamm±ti catt±ro guº±. Saccanti vac²sacca½, “mama santika½ ±gamiss±m²”ti vatv± mus±v±da½ akatv± ±gato ev±ti eta½ te vac²sacca½. Dhammoti vic±raºapaññ±, “eva½ kate ida½ n±ma bhavissat²”ti pavatt± te es± vic±raºapaññ±. Dhit²ti abbocchinna½ v²riya½ vuccati, etampi te atthi. C±goti attaparicc±go, tva½ att±na½ pariccajitv± mama santika½ ±gato, ya½ pan±ha½ gaºhitu½ n±sakkhi½, mayhamevesa doso Diµµhanti pacc±mitta½. So ativattat²ti yassa puggalassa yath± tava eva½ ete catt±ro dhamm± atthi, so yath± ma½ tva½ ajja atikkanto, tatheva attano pacc±mitta½ atikkamati abhibhavat²ti.
Eva½ kumbh²lo bodhisatta½ pasa½sitv± attano vasanaµµh±na½ gato. Tad± kumbh²lo devadatto ahosi, tassa bhariy± ciñcam±ºavik±, kapir±j± pana lokan±tho.
Tassa idh±pi heµµh± vuttanayeneva sesap±ramiyo niddh±retabb±. Tath± udakassa p±s±ºassa ca pam±ºavavatth±nena id±ni p±s±ºo uccataro kh±yat²ti pariggaºhanavasena p±s±ºassa upari susum±rassa nipannabh±vaj±nana½, p±s±ºena kathan±padesena tassatthassa nicchayagamana½, susum±rassa upari akkamitv± sahas± parat²re patiµµh±navasena s²ghak±rit±ya tassa mahat± p±pato parimocana½, attano j²vitarakkhaºa½, saccav±c±nurakkhaºañc±ti evam±dayo guº±nubh±v± vibh±vetabb±ti.

Kapir±jacariy±vaººan± niµµhit±.