5. Mah±k±la-up±sakavatthu

Attan± hi kata½ p±panti ima½ dhammadesana½ satth± jetavane viharanto eka½ mah±k±la½ n±ma sot±panna-up±saka½ ±rabbha kathesi.
So kira m±sassa aµµhadivasesu uposathiko hutv± vih±re sabbaratti½ dhammakatha½ suº±ti. Atha ratti½ cor± ekasmi½ gehe sandhi½ chinditv± bhaº¹aka½ gahetv± lohabh±janasaddena pabuddhehi s±mikehi anubaddh± gahitabhaº¹a½ cha¹¹etv± pal±yi½su. S±mik±pi te anubandhi½suyeva, te dis± pakkhandi½su. Eko pana vih±ramagga½ gahetv± mah±k±lassa ratti½ dhammakatha½ sutv± p±tova pokkharaºit²re mukha½ dhovantassa purato bhaº¹ika½ cha¹¹etv± pal±yi. Core anubandhitv± ±gatamanuss± bhaº¹ika½ disv± “tva½ no gehasandhi½ chinditv± bhaº¹ika½ haritv± dhamma½ suºanto viya vicaras²”ti ta½ gahetv± pothetv± m±retv± cha¹¹etv± agami½su. Atha na½ p±tova p±n²yaghaµa½ ±d±ya gat± daharas±maºer± disv± “vih±re dhammakatha½ sutv± sayita-up±sako ayutta½ maraºa½ labhat²”ti vatv± satthu ±rocesu½. Satth± “±ma, bhikkhave, imasmi½ attabh±ve k±lena appatir³pa½ maraºa½ laddha½, pubbe katakammassa pana tena yuttameva laddhan”ti vatv± tehi y±cito tassa pubbakamma½ kathesi–
At²te kira b±r±ºasirañño vijite ekassa paccantag±massa aµavimukhe cor± paharanti. R±j± aµavimukhe eka½ r±jabhaµa½ µhapesi, so bhati½ gahetv± manusse orato p±ra½ neti, p±rato ora½ ±neti. Atheko manusso abhir³pa½ attano bhariya½ c³¼ay±naka½ ±ropetv± ta½ µh±na½ agam±si. R±jabhaµo ta½ itthi½ disv±va sañj±tasineho tena “aµavi½ no s±mi, atikk±meh²”ti vuttepi “id±ni vik±lo, p±tova atikk±mess±m²”ti ±ha. So sak±lo, s±mi, id±neva no neh²ti. Nivatta, bho, amh±ka½yeva gehe ±h±ro ca niv±so ca bhavissat²ti. So neva nivattitu½ icchi. Itaro puris±na½ sañña½ datv± y±naka½ nivatt±petv± anicchantasseva dv±rakoµµhake niv±sa½ datv± ±h±ra½ paµiy±d±pesi. Tassa pana gehe eka½ maºiratana½ atthi. So ta½ tassa y±nakantare pakkhip±petv± pacc³sak±le cor±na½ paviµµhasadda½ k±resi. Athassa puris± “maºiratana½, s±mi, corehi haµan”ti ±rocesu½. So g±madv±resu ±rakkha½ µhapetv± “antog±mato nikkhamante vicinath±”ti ±ha. Itaropi p±tova y±naka½ yojetv± p±y±si. Athassa y±naka½ sodhent± attan± µhapita½ maºiratana½ disv± santajjetv± “tva½ maºi½ gahetv± pal±yas²”ti pothetv± “gahito no, s±mi, coro”ti g±mabhojakassa dassesu½. So “bhatakassa vata me gehe niv±sa½ datv± bhatta½ dinna½, maºi½ gahetv± gato, gaºhatha na½ p±papurisan”ti poth±petv± m±retv± cha¹¹±pesi. Ida½ tassa pubbakamma½. So tato cuto av²cimhi nibbattitv± tattha d²gharatta½ paccitv± vip±k±vasesena attabh±vasate tatheva pothito maraºa½ p±puºi.
Eva½ satth± mah±k±lassa pubbakamma½ dassetv±, “bhikkhave, eva½ ime satte attan± katap±pakammameva cat³su ap±yesu abhimatthat²”ti vatv± ima½ g±tham±ha–
161. “Attan± hi kata½ p±pa½, attaja½ attasambhava½;
abhimatthati dummedha½, vajira½vasmamaya½ maºin”ti.
Tattha vajira½vasmamaya½ maºinti vajira½va asmamaya½ maºi½. Ida½ vutta½ hoti– yath± p±s±ºamaya½ p±s±ºasambhava½ vajira½ tameva asmamaya½ maºi½ attano uµµh±naµµh±nasaªkh±ta½ p±s±ºamaºi½ kh±ditv± chidda½ chidda½ khaº¹a½ khaº¹a½ katv± aparibhoga½ karoti, evameva attan± kata½ attani j±ta½ attasambhava½ p±pa½ dummedha½ nippañña½ puggala½ cat³su ap±yesu abhimatthati kantati viddha½set²ti.
Desan±vas±ne sampattabhikkh³ sot±pattiphal±d²ni p±puºi½s³ti.

Mah±k±la-up±sakavatthu pañcama½.