2. ¾rabhatisutta½

142. “Pańcime, bhikkhave, puggal± santo sa½vijjam±n± lokasmi½. Katame pańca? Idha, bhikkhave, ekacco puggalo ±rabhati ca vippaµis±r² ca hoti; tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti.
[Pu. pa. 191] “idha pana, bhikkhave, ekacco puggalo ±rabhati, na vippaµis±r² hoti; tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti.
“Idha pana, bhikkhave, ekacco puggalo na ±rabhati, vippaµis±r² hoti; tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti.
“Idha pana, bhikkhave, ekacco puggalo na ±rabhati na vippaµis±r² hoti; tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti.
“Idha pana, bhikkhave, ekacco puggalo na ±rabhati na vippaµis±r² hoti; tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ paj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti.
“Tatra, bhikkhave, yv±ya½ puggalo ±rabhati ca vippaµis±r² ca hoti, tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti, so evamassa vacan²yo– ‘±yasmato kho ±rambhaj± [±rabbhaj± (p². ka.), ±rabhaj± (sy±. ka½.)] ±sav± sa½vijjanti, vippaµis±raj± ±sav± pava¹¹hanti [sa½va¹¹hanti (ka.)], s±dhu vat±yasm± ±rambhaje ±save pah±ya vippaµis±raje ±save paµivinodetv± citta½ pańńańca bh±vetu [bh±vetu½ (s². p².)]; evam±yasm± amun± pańcamena puggalena samasamo bhavissat²”’ti.
“Tatra, bhikkhave, yv±ya½ puggalo ±rabhati na vippaµis±r² hoti, tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti, so evamassa vacan²yo– ‘±yasmato kho ±rambhaj± ±sav± sa½vijjanti, vippaµis±raj± ±sav± na pava¹¹hanti, s±dhu vat±yasm± ±rambhaje ±save pah±ya citta½ pańńańca bh±vetu; evam±yasm± amun± pańcamena puggalena samasamo bhavissat²”’ti.
“Tatra, bhikkhave, yv±ya½ puggalo na ±rabhati vippaµis±r² hoti, tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti, so evamassa vacan²yo– ‘±yasmato kho ±rambhaj± ±sav± na sa½vijjanti, vippaµis±raj± ±sav± pava¹¹hanti, s±dhu vat±yasm± vippaµis±raje ±save paµivinodetv± citta½ pańńańca bh±vetu; evam±yasm± amun± pańcamena puggalena samasamo bhavissat²”’ti.
“Tatra, bhikkhave, yv±ya½ puggalo na ±rabhati na vippaµis±r² hoti, tańca cetovimutti½ pańń±vimutti½ yath±bh³ta½ nappaj±n±ti yatthassa te uppann± p±pak± akusal± dhamm± aparises± nirujjhanti, so evamassa vacan²yo– ‘±yasmato kho ±rambhaj± ±sav± na sa½vijjanti, vippaµis±raj± ±sav± na pava¹¹hanti, s±dhu vat±yasm± citta½ pańńańca bh±vetu; evam±yasm± amun± pańcamena puggalena samasamo bhavissat²”’ti.
“Iti kho, bhikkhave, ime catt±ro puggal± amun± pańcamena puggalena eva½ ovadiyam±n± eva½ anus±siyam±n± anupubbena ±sav±na½ khaya½ p±puŗant²”ti [pu. pa. 191]. Dutiya½.