Hatthaka-±¼avakavatthu

251. Catutthe cat³hi saªgahavatth³h²ti catubbidhena saªgahavatthun± parisa½ saªgaºhant±na½ hatthako ±¼avako aggoti dasseti. Aya½ kira padumuttarabuddhak±le ha½savatiya½ kulaghare nibbatto aparabh±ge satthu dhammakatha½ suºanto satth±ra½ cat³hi saªgahavatth³hi samann±gata½ eka½ up±saka½ µh±nantare µhapenta½ disv± adhik±rakamma½ katv± ta½ µh±nantara½ patthesi. So kappasatasahassa½ devamanussesu sa½saritv± imasmi½ buddhupp±de ±¼aviraµµhe ±¼avinagare ±¼avakassa rañño gehe paµisandhi½ gaºhi, sve bhattac±µiy± saddhi½ ±¼avakassa pesetabbo ahosi.
Tatr±ya½ anupubbikath±– ekadivasa½ kira ±¼avako r±j± migavatth±ya arañña½ gantv± eka½ miga½ anubandhitv± gh±tetv± chinditv± dhanukoµiya½ lagetv± nivattetv± ±gacchanto v±t±tapena kilantak±yo eka½ sandacch±ya½ nigrodharukkham³la½ pavisitv± nis²di. Atha na½ muhutta½ daratha½ vinodetv± nikkhamanta½ rukkhe adhivatth± devat± “tiµµha tiµµha, bhakkhosi me”ti hatthe gaºhi. So da¼ha½ gahitatt± añña½ up±ya½ apassanto “devasika½ te ekekapurisena saddhi½ c±µibhatta½ pesess±m²”ti vatv± nagara½ gato. Tato paµµh±ya bandhan±g±rato ekekamanussena saddhi½ c±µibhatta½ pesesi. Eteneva niy±mena bandhan±g±re manussesu kh²ºesu “mahallakamanussesu gayham±nesu raµµhakhobho hot²”ti te aggahetv± daharakum±re gaºhitu½ ±rabhi½su. Tato paµµh±ya nagare d±rakam±taro ca gabbhiniyo ca añña½ raµµha½ gacchanti.
Tasmi½ samaye satth± pacc³sasamayante loka½ volokento ±¼avakakum±rassa tiººa½ maggaphal±na½ upanissaya½ disv± “aya½ kum±ro kappasatasahassa½ patthitapatthano devalok± cavitv± ±¼avakarañño gehe nibbatto, añña½ kum±ra½ alabhant± sve kum±ra½ c±µibhattena saddhi½ gahetv± gacchissant²”ti cintetv± s±yanhasamaye aññ±takavesena ±¼avakassa yakkhassa bhavanadv±ra½ gantv± tassa dov±rika½ gadrabha½ n±ma yakkha½ bhavana½ pavisanatth±ya y±ci. So ±ha– “bhagav± tumhe pavisatha, mayha½ pana ±¼avakassa an±rocana½ n±ma ayuttan”ti. So himavante yakkhasam±gama½ gatassa ±¼avakassa santika½ agam±si. Satth±pi ta½ bhavana½ pavisitv± ±¼avakassa nis²danapallaªke nis²di.
Tasmi½ samaye s±t±girahemavat± ±¼avakassa bhavanamatthakena yakkhasam±gama½ gacchant± attano gamane asampajjam±ne “ki½ nu kho k±raºan”ti ±vajjent± satth±ra½ ±¼avakassa bhavane nisinna½ disv± satthu santika½ gantv± vanditv± yakkhasam±gama½ gantv± ±¼avakassa tuµµhi½ pavedayi½su– “l±bh± te, ±vuso ±¼avaka, yassa te sadevake loke aggapuggalo bhavane nisinno gantv± satthu santike dhamma½ suº±h²”ti. So tesa½ katha½ sutv± cintesi– “ime ekassa muº¹akasamaºassa mama pallaªke nisinnabh±va½ kathent²”ti anattamano kodh±bhibh³to hutv± “ajja mayha½ etena samaºena saddhi½ saªg±mo bhavissati, tattha me sah±y± n±ma hoth±”ti dakkhiºap±da½ ukkhipitv± saµµhiyojanamatta½ pabbatak³µa½ akkami, ta½ bhijjitv± dvidh± ahosi. Ito paµµh±ya ±¼avakayuddha½ vitth±retabba½. ¾¼avako pana sabbaratti½ tath±gatena saddhi½ n±nappak±rena yujjhantopi kiñci k±tu½ asakkonto satth±ra½ upasaªkamitv± aµµha pañhe pucchi, satth± vissajjesi Desan±pariyos±ne sot±pattiphale patiµµh±si. Vitth±retv± kathetuk±mena ±¼avakasuttavaººan± (sa½. ni. aµµha. 1.1.246) oloketabb±.
Punadivase uµµhite aruºe c±µibhatt±haraºavel±ya sakalanagare gahetabbayutta½ d±raka½ adisv± rañño ±rocesu½. R±j± ±ha– “gaºhitu½ ayuttaµµh±ne pana atthi, t±t±”ti. ¾ma, deva, ajja r±jakule putto j±toti. Gacchatha, t±t±, maya½ j²vant± putta½ labhiss±ma, c±µibhattena na½ peseth±ti. Te deviy± vikkandam±n±ya d±raka½ gahetv± c±µibhattena saddhi½ ±¼avakassa bhavanadv±ra½ gantv± “handa, ayya, tava bh±ga½ paµicch±h²”ti ±ha½su. ¾¼avako tesa½ katha½ sutv± ariyas±vakatt± lajjam±no adhomukho nis²di. Atha na½ satth± ±ha– “id±ni te, ±¼avaka, lajjanakicca½ natthi, d±raka½ gahetv± mama hatthe µhapeh²”ti. Te r±japuris± ±¼avakakum±ra½ ±¼avakassa hatthe µhapesu½, ±¼avako ta½ ±d±ya dasabalassa hatthe µhapesi, satth± paµiggaºhitv± puna ±¼avakassa hatthe µhapesi, ±¼avako ta½ gahetv± r±japuris±na½ hatthe µhapesi. Itissa hatthato hattha½ gatatt± “hatthako ±¼avako”tveva n±ma½ aka½su.
Atha na½ te r±japuris± tuµµham±nas± ±d±ya rañño santika½ agama½su. R±j± ta½ disv± “ajja c±µibhatta½ na sampaµicchat²”ti sañña½ katv± “kasm±, t±t±, evameva ±gatatth±”ti ±ha. Deva, r±jakulassa tuµµhi ca va¹¹hi ca, satth± ±¼avakassa bhavane nis²ditv± ±¼avaka½ dametv± up±sakatte patiµµh±petv± kum±ra½ amh±ka½ d±pes²ti. Satth±pi ±¼avaka½ pattac²vara½ g±h±petv± ±¼avinagar±bhimukho p±y±si. So nagara½ upasaªkamanto lajjitv±va osakkati. Satth± na½ oloketv± “lajjasi, ±¼avak±”ti pucchi. ¾ma, bhante, nagarav±sino ma½ niss±ya m±timaraºa½ pitimaraºa½ puttad±ramaraºañca p±puºi½su. Te ma½ passitv± daº¹ehipi le¹¹³hipi paharissanti. Tasm± osakk±mi, bhanteti. “¾¼avaka, natthi te may± saddhi½ gacchantassa bhaya½, vissattho eh²”ti vatv± nagarassa avid³re µh±ne vanasaº¹e aµµh±si. ¾¼avakar±j±pi n±gare gahetv± satthu paccuggamana½ gato. Satth± sampattaparis±ya dhamma½ desesi, desan±vas±ne catur±s²ti p±ºasahass±ni amatap±na½ pivi½su. Te ±¼avakassa tattheva vasanaµµh±na½ katv± anusa½vacchara½ balikamma½ paµµhapesu½.
¾¼avakopi n±gare dhammik±ya rakkh±ya saªgaºhi. Sopi ±¼avakakum±ro vu¹¹hippatto satthu dhammadesana½ sutv± t²ºi maggaphal±ni paµivijjhi. So sabbak±la½ ariyas±vaka-up±sak±na½ pañcahi satehi parivuto carati. Athekadivasa½ tehi up±sakehi saddhi½ satthu santika½ gantv± vanditv± ekamanta½ nis²di. Satth± suvin²ta½ parisa½ disv± “mahat² te, ±¼avaka, paris±, katha½ ta½ saªgaºh±s²”ti ±ha. Bhagav± d±nena tussanta½ d±nena saªgaºh±mi, piyavacanena tussanta½ piyavacanena saªgaºh±mi, uppannesu kiccesu tesa½ nittharaºena tussanta½ uppannakiccanittharaºena saªgaºh±mi, sam±nattaµµh±nena tussanta½ sam±nattat±ya saªgaºh±m²ti. Evameta½ vatthu samuµµhita½. Atha satth± aparabh±ge jetavane nis²ditv± up±sake µh±nantaresu µhapento hatthaka½ ±¼avaka½ cat³hi saªgahavatth³hi parisa½ saªgaºhant±na½ aggaµµh±ne µhapes²ti.